Diving with and without armor : containing the submarine exploits of J. B. Green, the celebrated submarine diver
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J. S. Leavitt (publisher of original)
1861
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Text
RBR WNYO 1861.G8
Autobiography and recollections of a pioneer printer : together with sketches of the War of 1812 on the Niagara frontier.
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Autobiography and memoir of Eber Dudley Howe, newspaper publisher and critic of the Latter Day Saint movement. Born in 1798 in Clifton Park, New York, Howe was a member of the U.S. Army in Batavia during the War of 1812. He would go on to work at the <em>Buffalo Gazette </em>in Buffalo, New York, as well as papers in Erie, Pennsylvania and Cleveland, Ohio. Howe would go on to publish <em>Mormonism Unvailed </em>in 1834, considered the first anti-Mormon book.
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Telegraph Steam Printing House (publish of original)
1878
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Text
RBR WNYO 1878.H7
Manuscript missel on vellum of the XV century [Book of hours]
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Cover title.
Obsecro te prayer, with masculine forms: . . . [f. 20:] . . . in quibus ego sum facturus, locuturus aut cogitaturus . . . et michi famulo tuo impetres . . . -- 4. ff. 22-38v (in vol. 1) and ff. 39-72 (in vol. 2); f. 72v blank, Hours of the Virgin, use of Rome.
Contains 9 illuminations within decorative borders, and 4 illuminated initials.
Parchment; ff. 72, bound in two volumes with the break between the two between f. 38v and f. 39, which opens lauds with a miniature of the Visitation; 155 x 105 (90 x 63) mm; after the 12 leaves of the calendar, the quires are regularly of 8 leaves, with the catchwords written vertically along the text's inner bounding line; the final gathering retains only 4 leaves. 16 long lines ruled in ink for the text; the calendar in 17 ruled lines. Written in a spikey gothic book hand.
Nine major miniatures, above 3 lines of text, and with slightly rounded tops; full border of acanthus and colored leaves and flowers: f. 13 (gospel of John), John the Evangelist seated on the island of Patmos, inscribing his gospel onto a roll which reads "[I]n Pri[ncipio]," while his eagle looks on; f. 22 (matins of the Hours of the Virgin), Annunciation to the Virgin, in an elaborate Renaissance room with column and sculpted balustrade and a gold-embroidered red bedcurtain, as the Virgin turns towards the kneeling angel, and the Holy Spirit descends to her; f. 39 (lauds), Visitation showing Mary and her cousin, Elizabeth; f. 50 (prime), Nativity with the baby Jesus lying on the extended hem of the Virgin's dress, as Joseph, holding a candle (?), enters the foreground; f. 54 (terce), Annunciation to the shepherds; f. 58 (sext), Adoration of the Three Kings, one of them old, one middle-aged and one young; f. 61 (none), Presentation in the temple, as Simeon, his hands covered with a cloth, reaches out to hold the baby Jesus, with Mary holding him and Joseph waiting; f. 64 (vespers), Flight into Egypt; with Joseph leading the donkey that carries the Virgin and the baby Jesus f. 69 (compline), Coronation of the Virgin as she kneels before Jesus, enthroned, who crowns her as blue angels hover behind.
Four large miniatures, 6 lines in height. When the miniature is on a recto: narrow gold bar along the left border of the text, holding in place sprays of acanthus leaves and colored flowers in the upper and lower margins; when the miniature is on a verso: a wide bar border the length of the text of acanthus leaves and colored flowers or strawberries: f. 14v (gospel pericope of Luke), Luke, seat on a wooden chest, inscribing his gospel on a roll, as his ox reclines quietly beside him; f. 15v (gospel pericope of Matthew), Matthew holding up his pen and looking upwards to God, and his angel kneels behind him; f. 17 (gospel pericope of Mark), Mark, seated on a stool, inscribing his gospel on a roll, as his lion reclines quietly beside him; f. 18 (Obsecro te), the enthroned Virgin holding the baby Jesus.
Major initials to open each of the hours of the Virgin, 3-line height, in blue against deep red grounds, decorated in liquid gold; 2-line and 1-line initials in painted gold against deep red or blue grounds, decorated in gold; line fillers in gold-decorated bands of deep red or dark blue. Rubrics in red. Bound in two volumes, the first of 38 leaves, the second of 34 leaves (foliated as ff. 39-72); binding is modern red morocco; each volume with the same statement of provenance lettered on the front cover: at the top: "Manuscript Missel [sic] on Vellum of the XV Century" and at the bottom: "Presented by James Fraser Gluck to the Buffalo Library A.D. 1886."
Written in France during the second half of the 15th century; the calendar includes the feast of the Dominican, Vincent Ferrer who was canonized in 1455. In addition, the dark colors in the backgrounds of the painted initials is typical of work done at the end of the century. A slip from an auction catalogue is glued to the front pastedown of the first volume: it presumably was retained here because it represents this present manuscript, although the book of hours described on the slip is said to have 164 leaves (as opposed to the present ff. 72), with "14 beautifully painted miniatures" (there are 9 in the book as it now stands); in addition, this slip labels the manuscript it describes as n. 959 in its catalogue, suggesting a very large sale; the slip is assumed to come from an auction catalogue (rather than a sales catalogue) because there is no price associated with it (and the very top of the following entry is just barely visible at the bottom of the slip). The manuscript as it now stands, of 72 leaves, belonged to James Fraser Gluck (1852-1897); he had the book bound in its present red morocco, had the inscriptions placed on the front covers, and donated the now-two volumes (along with a large collection of materials relating to British and American authors) to the Buffalo Public Library in 1886, which is a very early date for interest in medieval manuscripts in the United States.
Calendar in red and black--V. 1, leaves [1-12].
Identified in De Ricci as Horae, Roman use, written in France.
References: De Ricci. Census, p. [1210]
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Buffalo and Erie County Public Library (publisher of digital)
[15th century]
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Text
RBR MSS. C33M55 1400z
Love Is Stronger Than Pain
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“Love is Stronger than Pain” is the title of Michael O’Brien’s book memorializing the legacy of his mother, Irene Corcoran O’Brien. She lived a life of daily sacrifice, tending to the critical needs of two of her children stricken with a rare, debilitating, painful disease which causes blistering of the skin and deformities. Her faith and unconditional love of John and Maureen enabled them to experience joy in life and inspire others to do the same.
WIVB-TV’s Rich Newberg covered the O’Brien story for years,
capturing the spirit of John, who honored the wish of his late sister and helped raise funds for a play about her life. “Hit Me Again” was in presented in Buffalo in April 1991.
John died in 1992 at the age of 39. He was the oldest survivor of dystrophic epidermolysis bullosa. Maureen was 27 when she passed away in 1984. She died as her mother was changing here dressings. Both brother and sister appeared much older than their years. At John’s funeral it was said by his brothers that “he made friends out of strangers and family out of friends.”
The series of reports ends with the tribute to Irene. Newberg interviews Michael who recalls Mother Theresa giving Irene her rosary. There is a scene of the brother and sister in the audience during Mother Theresa’s presentation at Niagara University. Speaking of his mother’s spirit, Michael says, “It was genuine humility…” He added, “She just thought that she was fulfilling God’s will and purpose for her life.”
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Buffalo & Erie County Public Library (publisher of digital)
1991
1992
2015
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Moving Image
The Badillo Beat: A Unique Partnership
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On September 30, 1997, WIVB-TV created a mentoring program for high school students at the Herman Badillo Bilingual Academy in Buffalo. The goal was to initially expose them to the inner workings of a television newsroom and teach them the basics of broadcast journalism and production.
News 4 anchor Rich Newberg and news photographer Tom Vetter conducted workshops with the final goal of creating a TV news magazine program called “The Badillo Beat.” Fernando Correa, an 8th grade student who showed great potential in front of the camera, anchored the program, taking viewers into the heart of Buffalo’s Hispanic community. The purpose was to address important unresolved social issues.
The items featured in this compilation include reports on
what transpired during the course of the project and the student produced program that was presented to the school on June 23, 1998.
Buffalo mayor Anthony Masiello had praised the initiative, telling students at the partnership signing ceremony that they were being given “an opportunity to grow” at a time when “communications is everything.”
He said, “We live in an international marketplace. By the time you are adults, we’ll be communicating with all parts of the world every single day visa-a-vis TV and journalism, computers and telecommunications.”
The Herman Badillo Bilingual Academy already had facilities and equipment used to videotape important school events. Rich Newberg told them that having entry into a television station and a professional newsroom could be a major step toward a career in broadcast journalism. However, he cautioned them that, “Unless you go for it, unless you want want it badly enough and work for it, it is not going to come to you. All we can offer you is the opportunity to see what television is all about.”
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Buffalo & Erie County Public Library (publisher of digital)
1997-09-30
1998-06-23
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Copyright held by WIVB-TV. Access to this digital version provided by the Buffalo & Erie County Public Library. Videos or images in this collection are not to be used for any commercial purposes. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
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Moving Image
Bert Hyde, First Ward historian and lifelong Resident, curator and co-founder of The Waterfront Memories and More Museum, daughter and sister of Buffalo Grain Workers
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grain+elevators--New+York+%28State%29--Buffalo--Employees">Grain elevators--New York (State)--Buffalo--Employees</a>
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<p><em><span>“Girls didn't go by the waterfront.” </span></em></p>
<p><span>Most women and girls who lived in Buffalo's First Ward -- the waterfront community at the heart of Buffalo's once-pulsating grain industry -- never went close to the waterfront or worked among the grain elevators. But the industry was ever-present in their lives, from the grain that their husbands, fathers and brothers blew off their clothes when they came home for lunch, to the grain they sneaked from railcars, to the flour bags that mothers sewed into girls' dresses. Bert Hyde was interviewed by Kate Kaye in Buffalo in February 2020.</span></p>
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<a href="https://redtailmedia.org/spilling-grain/">https://redtailmedia.org/spilling-grain/</a>
2020-02
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grosvenor+Room+of+B%26ECPL+%28repository%29">Grosvenor Room of B&ECPL (repository)</a>
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©2020 Kate Kaye
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Sound
sg_audio_007
Don Dodd, former General Mills worker
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<em>“It's like walking next to a jet, that's how loud they are.... That thing was just whistling and screaming.” </em><br /><br />Don Dodd got his start at General Mills in 1969 and worked there for decades, taking on all sorts of roles. For a time, he was a gunner - literally shooting Cheerios out of a pressurized chamber that created a deafening sound. In the early days churning out breakfast cereal and cake mixes, there were distinct roles for men and women at the plant. And, even though work there could be hot, noisy and grueling, Don and his coworkers often managed to find time for a break, sometimes dashing across the bridge for a 25 cent "adult beverage" at the nearby Swannie House. Don Dodd was interviewed by Kate Kaye in Buffalo in January 2020.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kaye%2C+Kate">Kaye, Kate</a>
<a href="https://redtailmedia.org/spilling-grain/">https://redtailmedia.org/spilling-grain/</a>
2020-01
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©2022 Kate Kaye
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Sound
sg_audio_006
[Bert Hyde pictured outside the Waterfront Memories and More Museum with the Lake and Rail Elevator and Buffalo river in the background]
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grain+elevators--New+York+%28State%29--Buffalo--Employees">Grain elevators--New York (State)--Buffalo--Employees</a>
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Bert Hyde is pictured outside The Waterfront Memories and More Museum in February 2020, with the Lake and Rail Elevator in the background.
Description from creator.
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<a href="%20https%3A//redtailmedia.org/spilling-grain/">https://redtailmedia.org/spilling-grain/</a>
2020-01-31
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grosvenor+Room+of+B%26ECPL+%28repository%29">Grosvenor Room of B&ECPL (repository)</a>
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©2020 Kate Kaye
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sg_img_18
[Former General Mills worker Don Dodd standing in front of table with memorabilia displayed]
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=General+Mills%2C+inc.--History">General Mills, inc.--History</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grain+trade--New+York+%28State%29--Buffalo">Grain trade--New York (State)--Buffalo</a>
Don Dodd displays General Mills and grain related memorabilia at his home in January 2020.
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2020-01-25
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[Antiphonarium]
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Parchment; ff. 2, not consecutive nor attached to one another; with a very deep lower border (as if in anticipation of an eventual need to add notes to the page?); 9 lines of text, each preceded by its row of staves; pricking along both the outer and the inner margins that ties in groups of 5 holes to the 1 text line plus 4 stave lines. Formal gothic minuscule that includes both the curled line ("ricciolo") and the small waved line ("ondina") abbreviation marks for, respectively, the preconsonantal "r" and the prevocalic "r"; see Andrea Bocchi, "Riccioli e ondine. L'abbreviazione per vibrante preconsonantica e prevocalica nella gotica italiana dei secoli xiii e xiv," Scriptorium 61 n. 2 (2007) 430-437 and images on pl. 52; at the end of the article, Bocchi places use of these marks in central Italy, and he dates them to the time span of the 13th century and into the early years of the 15th. Music in square notation on 4-line red staves with a custos at the end of the set of staves. Initials of somewhat more than 1-line height (they extend into the staves' second line from the bottom) in plain alternating red with simplistic blue flourishing, and blue with red flourishing; the letter following the decorated initial and occasional other initials throughout the text are touched in red. Rubrics in red that are copied above (not before) the beginning of the relevant piece of text. Early modern pagination in ink in the uppermost outer corner of each side of the leaf.
Written in Italy during the early years of the 15th century. On p. 202, in the center lower margin, the pencilled note: "Mr. Charles D[avenport ?] Champlin, 3-2-36 D" presumably representing the person from whom these two leaves were acquired, and the date of acquisition, March 2, 1936; the initial "D" may represent the librarian. In-house library files cite the name of Louis Charles Elson (1848-1920) but probably incorrectly.
Title and date from De Ricci.
Bibliography: De Ricci. Census, p. 1212, no. 28
Antiphonal, with responsories 2 through 6, and their accompanying versicles, for Quinquagesima Sunday. -- Antiphonal, with responsories 1 through 5, and their accompanying versicles, for Passion Sunday.
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Buffalo and Erie County Public Library (publisher of digital)
[15th century]
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RBR Mss. C33A66 1400z