2 20 22 https://digital.buffalolib.org/files/original/ff65bbcea2d19e84db07bef8acb33693.jpg e61a726bd5ca7ad619a4fdfffe87079b https://digital.buffalolib.org/files/original/8e90396376b4ad92e9d78db7cf3ddd42.jpg c36e9347bf07e705613152dd84cad5d2 https://digital.buffalolib.org/files/original/8aae51568c7ab74c2ddb874f50d06ad3.jpg 10f8e8dc84b82b0d67587d0300b72476 https://digital.buffalolib.org/files/original/362ef72191c22bc1f8ca65522b0c937e.jpg eaac3b2ce2033ff6905cd7755c569db3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval and Renaissance Manuscripts Description An account of the resource Manuscripts from the early medieval period to the beginning of the Renaissance. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RBR Print 235 Title A name given to the resource [Medieval manuscript leaves] Description An account of the resource Title assigned by cataloger. Parchment; f. 1; 9 lines of text and music; the text written in a formal gothic book hand in a space delineated with dry point (?) ruling at the top and at the bottom of the height of the minims; the music in square notation on 4-line red staves, with a custos at the end of each set of staves. On the verso, a historiated gray initial on a blue ground of the height of 2 lines of text with their staves of music, depicting Mary wrapped in her blue cloak, lying as if dead on her bed, with the apostles surrounding her, while in a cloudburst at the top of the initial, Christ, holding Mary as a small child, looks down upon her in her bed. On this verso, a color and gold bar, with gold balls, runs the length of the text; at the top it breaks in half and swirls off in both directions; at the height of the initial, it includes a grotesque with helmet, sword and shield; below the initial, it includes a grotesque with a human head on a bird?s body; in the lower margin, it includes a grotesque whose human upper part turns backward with ax overhead ready to fight his body?s tail which terminates in a dog?s head. A small squarish piece of parchment is now cut away, at what would have been the lowermost bit of decoration, with what were gold balls at its terminating points (the gold now completely worn away). Other decorated initials, the height of one line of text and ca. 3 lines of musical staves, in either red with blue penwork flourishing, or in blue with red flourishing; smaller initials in 1-line height following the same patterns of colors. In red: the rubrics and the superscript folio numbers for the parts of the mass cited (with red roman numerals from 205 through 231). Foliated in red roman numerals in the center upper margin of the verso: clxxxiiii (= 184); adjacent to his original folio number is a modern number in pencil, ?198.? Written in France during the 15th century; the use of the word ?officium? to designate the introit suggests that the book from which this leaf was taken had been copied for a church of Carthusian, Dominican or Carmelite rite. Belonged to Louis Charles Elson (1848-1920) who was a professor of music theory and history at the New England Conservatory of Music from age 34 onwards; he had begun studying music with his mother, then went on to study in Leipzig; he composed songs, operetta and works for the piano, but mainly he studied and wrote on the history of music; he published in a number of Boston newspapers, and was the editor-in-chief of Modern Music and Musicians (1912; 20 vols.) and of the University Musical Encyclopedia (1912-14; 10 vols.), among the ca. 50 items that he published over the course of his life. The collection of medieval fragments of music that had belonged to Louis Charles Elson was acquired in 1924 by the Grosvenor Library in Buffalo NY; this library, together with the Erie County Library and the Buffalo Public Library merged in 1953 to form today?s Buffalo and Erie County Public Library. This leaf was n. 9 in the Elson collection. Present call number: RBR PRINT 235. Two leaves from the BECPL (one, a leaf taken from the psalter belonging to the Buffalo Public Library in 1936; and the second, the present leaf from a gradual from the Grosvenor Library MS 9, now RBR PRINT 235) were lent to Colgate University for an exhibition planned and run by Prof. Judith Oliver; the leaves were returned to the BECPL on 5 June 1987. Both leaves in black ink with illuminated capitals ; 1st leaf is a page with musical notation and lyrics ; 2nd leaf is apparently from a breviary. Both leaves were part of an exhibition at the Picker Art Gallery, Colgate University, Hamilton, New York, in 1987. Gradual with chants from the end of the feast of St. Lawrence (10 August), the rubrics for the feast of St. Hippolytus and companions (13 August), and the vigil and then the beginning of the feast of the Assumption of the Virgin (14 and then 15 August). References: De Ricci. Census, p. 1210, no. 9 Contributor An entity responsible for making contributions to the resource Rare Book Room of B&ECPL (repository) Date A point or period of time associated with an event in the lifecycle of the resource [14th to 15th century] Date Created Date of creation of the resource. 2024-06-18 Subject The topic of the resource Antiphonaries Music--Manuscripts Graduals (Chants) Manuscripts, Latin--Specimens Manuscripts, Medieval--Specimens Manuscripts, Latin--New York (State)--Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Louis C. Elson Collection. no. 9 Publisher An entity responsible for making the resource available [publisher not identified] Rights Information about rights held in and over the resource Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes. Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource image/jpg Extent The size or duration of the resource. 2 leaves ; 46 x 31 cm (1st) and 14 x 9 cm (2nd) Medium The material or physical carrier of the resource. Parchment Spatial Coverage Spatial characteristics of the resource. [France] Rare Books https://digital.buffalolib.org/files/original/4f32cb2ebca80955148535cfb26dc6da.jpg deb6dde552232fdd9eda6095568c5cbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval and Renaissance Manuscripts Description An account of the resource Manuscripts from the early medieval period to the beginning of the Renaissance. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RBR Mss. B66 1450 Title A name given to the resource [Book of hours of the Blessed Virgin Mary] Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Book of hours (title on container) Creator An entity primarily responsible for making the resource Catholic Church Description An account of the resource Title and date from file card, laid in. 1) Parchment; 1. ff. 38-44v, The Gospel pericopes (beginning with the standard text from John 1:1-14), missing the opening leaf, followed by the usual prayers (Protector in te sperantium; Ecclesiam tuam quesumus domine benignus illustra), and then the usual extracts from Luke (1:26-38), Matthew (2:1-12) and Mark (16: 14-20). Misbound in the present position; the pericopes usually occur after the calendar and before the prayers, Obsecro te and O Intemerata (or before the beginning of the Hours of the Virgin). 2) ff. 42-43v, f. 37r-v, ff. 1-5; f. 5v blank//et leticie, fons consolationis et indulgencie Per illam sanctam ineffabiliter leticiam qua exultavit spiritus tuus in illa hora quando tibi per gabrielem archangelum annunciatus et conceptus filius dei fuit . . . [f. 43v] et michi famulo tuo impetres a dilecto filio tuo complementum omni misericordia et consolation, omni consilio, omni auxilio et [f. 37r-v:] adiutorio, omni benedictione et sanctificatione, omni salvatione, pace, prosperitate, omni gaudio et alacritate. Eciam habundanciam . . . tenere me faciat et a septem peccatis crimina- [ff. 1-5] -libus me liberet et deffendat usque in finem vite mee. Et in novissimis diebus meis ostende michi faciem tuam . . . . et exaudi me dulcissima virgo maria mater dei et misericordia. Amen. Oratio beate marie virginis, O Intemerata et in eternum benedicta . . . [f. 2v] et esto michi miserrimo peccatori propicia in omnibus auxiliatrix . . . 3) ff. 6-29, 47-52v -- //psalmis iubilemus ei. Ave maria gratia plena dominus tecum. Quoniam deus magnus dominus et rex magnus super omnes deos . . . Hours of the Virgin (at matins), opening defectively, probably use of Rouen; the office of prime occupies ff 47-52v, and the antiphon and capitulum at prime are: Ant., Maria virgo assumpta est ad ethereum thalamum; Cap., Per te dei genitrix est nobis vita perdita; the service at nones is no longer in the book, as only parts of matins, lauds and prime remain, with all miniatures cut out. Following the remaining part of lauds are, on ff. 25-27v, suffrages of the Holy Spirit, John the Baptist, Nicholas, Martin of Tours, Anthony of Padua, Maurus, and Lupus (here spelled "Luppus," in whose suffrage the text breaks); on ff. 28-29 (f. 29v, blank) is the end of a suffrage of Catherine of Alexandria, here remaining are 27 verses in French in 6-line stanzas ([aa]baab ccdccd eefeef gghggh etc.) plus an irregular final stanza. 4) ff. 30-35vShort hours of the Cross, opening miniature cut out, but containing the rest of the text, through compline -- 5) f. 35v, f. 36r-v, ff. 43-46v, Short hours of the Holy Spirit, opening miniature cut out after f. 35r-v (rubric is on f. 35v, Les heures du saint esperit). -- 6) f. 46v, Rubric in French at the bottom of the page to signal the beginning of the Office of the Dead, which would have followed the Short hours of the Holy Spirit, but which is no longer in this book: Les vespres des mors.Parchment; ff. 52, much misbound and with all illumination removed, as well as easily half of the text leaves, including all of the calendar, the second half of the Hours of the Virgin, the Penitential Psalms, and the Office of the Dead. 175 x 125 mm. Written in a formal gothic book hand in 2 sizes (the smaller is for versicles and responses), on 15 pale red lines to the page. No catchwords or signatures remain. Illuminated initials and floriated borders. Latin text. Written in France, probably in Rouen, given the liturgical use of the Hours of the Virgin (at Prime; Nones no longer remains in the manuscript), during the middle of the 15th century. Probably during the 18th to 19th century, the book belonged to the family residing in Milton Hall, near Peterborough, given the book label on the front pastedown (but this attribution is made with some caution, since the shell of the binding might have belonged to another book). Now surviving only on f. 1, a 4-line white-decorated blue initial with both colors on acanthus leaves in the initial, set on a square gold ground with a bar border on the left extending the length of the text space formed of a gold strip and a colored strip (divided, in part blue and in part pink), and with a C-shaped border of flowers (blue 4- and 5-leaf flowers, strawberries and round red berries) and acanthus leaves in blue and gold around the text on three sides. 2-line initials in white-decorated color (alternating blue or pink) with both colors in the acanthus leaves within the initial, set on a squared gold ground, with a spray of mainly gold trilobe leaves with one colored flower at the top and one at the bottom of the spray, and extending into the margin. 1-line gold initials on blue and pink white-decorated grounds; line fillers in the same colors. Initials of the verses in French for St. Catherine, f. 28r-v, touched in yellow. Rubrics in red. Offset of blue paint from decoration on what was the facing page with a full border, now visible on ff. 5v (before the Hours of the Virgin), 15v (before lauds), 30 (before the Short Hours of the Cross), 35v (before the Short Hours of the Holy Spirit), 42 (before the Obsecro te), 47v (before the now-missing Office of the Dead), 52v (before the now-missing terce of the Hours of the Virgin). On f. 22, lower margin, note, s. XVII (?), "En faint mon fils s<?> ne voullez po<?> maine." Foliated, September 2023.Bound, possibly in former days, in limp vellum over boards, to the extent that there is with today's completely unbound book an outer shell of a limp vellum binding, but it is uncertain if this was ever attached to the present book, in that, sitting on the book's "front" and ''back" areas, there is a dark vellum "leaf" that might have been part of this book's binding. The stitching of the book's gatherings is solid, holding the book in its present jumbled state, and placing the book's one leaf with its highest present level of decoration in first position (the opening of the O Intemerata prayer, with a 4-line initial and C-shaped page decoration). Contributor An entity responsible for making contributions to the resource Rare Book Room of B&ECPL (repository) Date A point or period of time associated with an event in the lifecycle of the resource [15th century] Date Created Date of creation of the resource. 2024-06-24 Subject The topic of the resource Manuscripts, Latin--New York (State)--Buffalo Rights Information about rights held in and over the resource Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes. Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource image/jpg Extent The size or duration of the resource. 52 unnumbered leaves ; 19 cm Medium The material or physical carrier of the resource. Parchment Language A language of the resource lat Spatial Coverage Spatial characteristics of the resource. [France] Rare Books