[Antiphonarium]
subject: Antiphonaries
subject: Music--Manuscripts
subject: Manuscripts, Latin--Specimens
subject: Manuscripts, Latin--New York (State)--Buffalo
description: Parchment; ff. 2, not consecutive nor attached to one another; with a very deep lower border (as if in anticipation of an eventual need to add notes to the page?); 9 lines of text, each preceded by its row of staves; pricking along both the outer and the inner margins that ties in groups of 5 holes to the 1 text line plus 4 stave lines. Formal gothic minuscule that includes both the curled line ("ricciolo") and the small waved line ("ondina") abbreviation marks for, respectively, the preconsonantal "r" and the prevocalic "r"; see Andrea Bocchi, "Riccioli e ondine. L'abbreviazione per vibrante preconsonantica e prevocalica nella gotica italiana dei secoli xiii e xiv," Scriptorium 61 n. 2 (2007) 430-437 and images on pl. 52; at the end of the article, Bocchi places use of these marks in central Italy, and he dates them to the time span of the 13th century and into the early years of the 15th. Music in square notation on 4-line red staves with a custos at the end of the set of staves. Initials of somewhat more than 1-line height (they extend into the staves' second line from the bottom) in plain alternating red with simplistic blue flourishing, and blue with red flourishing; the letter following the decorated initial and occasional other initials throughout the text are touched in red. Rubrics in red that are copied above (not before) the beginning of the relevant piece of text. Early modern pagination in ink in the uppermost outer corner of each side of the leaf.
description: Written in Italy during the early years of the 15th century. On p. 202, in the center lower margin, the pencilled note: "Mr. Charles D[avenport ?] Champlin, 3-2-36 D" presumably representing the person from whom these two leaves were acquired, and the date of acquisition, March 2, 1936; the initial "D" may represent the librarian. In-house library files cite the name of Louis Charles Elson (1848-1920) but probably incorrectly.
description: Title and date from De Ricci.
description: Bibliography: De Ricci. Census, p. 1212, no. 28
description: Antiphonal, with responsories 2 through 6, and their accompanying versicles, for Quinquagesima Sunday. -- Antiphonal, with responsories 1 through 5, and their accompanying versicles, for Passion Sunday.
creator: Catholic Church
publisher: Buffalo and Erie County Public Library (publisher of digital)
date: [15th century]
contributor: Rare Book Room of B&ECPL (repository)
rights: Digital image copyright 2023 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
language: lat
type: Text
identifier: RBR Mss. C33A66 1400z

Manuscript missel on vellum of the XV century [Book of hours]
subject: Manuscripts, Latin--15th century
subject: Manuscripts, Latin--New York (State)--Buffalo
subject: Liturgy and rituals
subject: Hours
description: Cover title.
description: Obsecro te prayer, with masculine forms: . . . [f. 20:] . . . in quibus ego sum facturus, locuturus aut cogitaturus . . . et michi famulo tuo impetres . . . -- 4. ff. 22-38v (in vol. 1) and ff. 39-72 (in vol. 2); f. 72v blank, Hours of the Virgin, use of Rome.
description: Contains 9 illuminations within decorative borders, and 4 illuminated initials.
description: Parchment; ff. 72, bound in two volumes with the break between the two between f. 38v and f. 39, which opens lauds with a miniature of the Visitation; 155 x 105 (90 x 63) mm; after the 12 leaves of the calendar, the quires are regularly of 8 leaves, with the catchwords written vertically along the text's inner bounding line; the final gathering retains only 4 leaves. 16 long lines ruled in ink for the text; the calendar in 17 ruled lines. Written in a spikey gothic book hand.
description: Nine major miniatures, above 3 lines of text, and with slightly rounded tops; full border of acanthus and colored leaves and flowers: f. 13 (gospel of John), John the Evangelist seated on the island of Patmos, inscribing his gospel onto a roll which reads "[I]n Pri[ncipio]," while his eagle looks on; f. 22 (matins of the Hours of the Virgin), Annunciation to the Virgin, in an elaborate Renaissance room with column and sculpted balustrade and a gold-embroidered red bedcurtain, as the Virgin turns towards the kneeling angel, and the Holy Spirit descends to her; f. 39 (lauds), Visitation showing Mary and her cousin, Elizabeth; f. 50 (prime), Nativity with the baby Jesus lying on the extended hem of the Virgin's dress, as Joseph, holding a candle (?), enters the foreground; f. 54 (terce), Annunciation to the shepherds; f. 58 (sext), Adoration of the Three Kings, one of them old, one middle-aged and one young; f. 61 (none), Presentation in the temple, as Simeon, his hands covered with a cloth, reaches out to hold the baby Jesus, with Mary holding him and Joseph waiting; f. 64 (vespers), Flight into Egypt; with Joseph leading the donkey that carries the Virgin and the baby Jesus f. 69 (compline), Coronation of the Virgin as she kneels before Jesus, enthroned, who crowns her as blue angels hover behind.
description: Four large miniatures, 6 lines in height. When the miniature is on a recto: narrow gold bar along the left border of the text, holding in place sprays of acanthus leaves and colored flowers in the upper and lower margins; when the miniature is on a verso: a wide bar border the length of the text of acanthus leaves and colored flowers or strawberries: f. 14v (gospel pericope of Luke), Luke, seat on a wooden chest, inscribing his gospel on a roll, as his ox reclines quietly beside him; f. 15v (gospel pericope of Matthew), Matthew holding up his pen and looking upwards to God, and his angel kneels behind him; f. 17 (gospel pericope of Mark), Mark, seated on a stool, inscribing his gospel on a roll, as his lion reclines quietly beside him; f. 18 (Obsecro te), the enthroned Virgin holding the baby Jesus.
description: Major initials to open each of the hours of the Virgin, 3-line height, in blue against deep red grounds, decorated in liquid gold; 2-line and 1-line initials in painted gold against deep red or blue grounds, decorated in gold; line fillers in gold-decorated bands of deep red or dark blue. Rubrics in red. Bound in two volumes, the first of 38 leaves, the second of 34 leaves (foliated as ff. 39-72); binding is modern red morocco; each volume with the same statement of provenance lettered on the front cover: at the top: "Manuscript Missel [sic] on Vellum of the XV Century" and at the bottom: "Presented by James Fraser Gluck to the Buffalo Library A.D. 1886."
description: Written in France during the second half of the 15th century; the calendar includes the feast of the Dominican, Vincent Ferrer who was canonized in 1455. In addition, the dark colors in the backgrounds of the painted initials is typical of work done at the end of the century. A slip from an auction catalogue is glued to the front pastedown of the first volume: it presumably was retained here because it represents this present manuscript, although the book of hours described on the slip is said to have 164 leaves (as opposed to the present ff. 72), with "14 beautifully painted miniatures" (there are 9 in the book as it now stands); in addition, this slip labels the manuscript it describes as n. 959 in its catalogue, suggesting a very large sale; the slip is assumed to come from an auction catalogue (rather than a sales catalogue) because there is no price associated with it (and the very top of the following entry is just barely visible at the bottom of the slip). The manuscript as it now stands, of 72 leaves, belonged to James Fraser Gluck (1852-1897); he had the book bound in its present red morocco, had the inscriptions placed on the front covers, and donated the now-two volumes (along with a large collection of materials relating to British and American authors) to the Buffalo Public Library in 1886, which is a very early date for interest in medieval manuscripts in the United States.
description: Calendar in red and black--V. 1, leaves [1-12].
description: Identified in De Ricci as Horae, Roman use, written in France.
description: References: De Ricci. Census, p. [1210]
creator: Catholic Church
publisher: Buffalo and Erie County Public Library (publisher of digital)
date: [15th century]
contributor: Gluck, James Fraser, 1852-1897
rights: Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
language: Latin
type: Text
identifier: RBR MSS. C33M55 1400z

[Book of hours of the Blessed Virgin Mary]
subject: Manuscripts, Latin--New York (State)--Buffalo
description: Title and date from file card, laid in.
description: 1) Parchment; 1. ff. 38-44v, The Gospel pericopes (beginning with the standard text from John 1:1-14), missing the opening leaf, followed by the usual prayers (Protector in te sperantium; Ecclesiam tuam quesumus domine benignus illustra), and then the usual extracts from Luke (1:26-38), Matthew (2:1-12) and Mark (16: 14-20). Misbound in the present position; the pericopes usually occur after the calendar and before the prayers, Obsecro te and O Intemerata (or before the beginning of the Hours of the Virgin).
description: 2) ff. 42-43v, f. 37r-v, ff. 1-5; f. 5v blank//et leticie, fons consolationis et indulgencie Per illam sanctam ineffabiliter leticiam qua exultavit spiritus tuus in illa hora quando tibi per gabrielem archangelum annunciatus et conceptus filius dei fuit . . . [f. 43v] et michi famulo tuo impetres a dilecto filio tuo complementum omni misericordia et consolation, omni consilio, omni auxilio et [f. 37r-v:] adiutorio, omni benedictione et sanctificatione, omni salvatione, pace, prosperitate, omni gaudio et alacritate. Eciam habundanciam . . . tenere me faciat et a septem peccatis crimina- [ff. 1-5] -libus me liberet et deffendat usque in finem vite mee. Et in novissimis diebus meis ostende michi faciem tuam . . . . et exaudi me dulcissima virgo maria mater dei et misericordia. Amen. Oratio beate marie virginis, O Intemerata et in eternum benedicta . . . [f. 2v] et esto michi miserrimo peccatori propicia in omnibus auxiliatrix . . .
description: 3) ff. 6-29, 47-52v -- //psalmis iubilemus ei. Ave maria gratia plena dominus tecum. Quoniam deus magnus dominus et rex magnus super omnes deos . . . Hours of the Virgin (at matins), opening defectively, probably use of Rouen; the office of prime occupies ff 47-52v, and the antiphon and capitulum at prime are: Ant., Maria virgo assumpta est ad ethereum thalamum; Cap., Per te dei genitrix est nobis vita perdita; the service at nones is no longer in the book, as only parts of matins, lauds and prime remain, with all miniatures cut out. Following the remaining part of lauds are, on ff. 25-27v, suffrages of the Holy Spirit, John the Baptist, Nicholas, Martin of Tours, Anthony of Padua, Maurus, and Lupus (here spelled "Luppus," in whose suffrage the text breaks); on ff. 28-29 (f. 29v, blank) is the end of a suffrage of Catherine of Alexandria, here remaining are 27 verses in French in 6-line stanzas ([aa]baab ccdccd eefeef gghggh etc.) plus an irregular final stanza.
description: 4) ff. 30-35vShort hours of the Cross, opening miniature cut out, but containing the rest of the text, through compline -- 5) f. 35v, f. 36r-v, ff. 43-46v, Short hours of the Holy Spirit, opening miniature cut out after f. 35r-v (rubric is on f. 35v, Les heures du saint esperit). -- 6) f. 46v, Rubric in French at the bottom of the page to signal the beginning of the Office of the Dead, which would have followed the Short hours of the Holy Spirit, but which is no longer in this book: Les vespres des mors.Parchment; ff. 52, much misbound and with all illumination removed, as well as easily half of the text leaves, including all of the calendar, the second half of the Hours of the Virgin, the Penitential Psalms, and the Office of the Dead. 175 x 125 mm. Written in a formal gothic book hand in 2 sizes (the smaller is for versicles and responses), on 15 pale red lines to the page. No catchwords or signatures remain.
description: Illuminated initials and floriated borders.
description: Latin text.
description: Written in France, probably in Rouen, given the liturgical use of the Hours of the Virgin (at Prime; Nones no longer remains in the manuscript), during the middle of the 15th century. Probably during the 18th to 19th century, the book belonged to the family residing in Milton Hall, near Peterborough, given the book label on the front pastedown (but this attribution is made with some caution, since the shell of the binding might have belonged to another book).
description: Now surviving only on f. 1, a 4-line white-decorated blue initial with both colors on acanthus leaves in the initial, set on a square gold ground with a bar border on the left extending the length of the text space formed of a gold strip and a colored strip (divided, in part blue and in part pink), and with a C-shaped border of flowers (blue 4- and 5-leaf flowers, strawberries and round red berries) and acanthus leaves in blue and gold around the text on three sides. 2-line initials in white-decorated color (alternating blue or pink) with both colors in the acanthus leaves within the initial, set on a squared gold ground, with a spray of mainly gold trilobe leaves with one colored flower at the top and one at the bottom of the spray, and extending into the margin. 1-line gold initials on blue and pink white-decorated grounds; line fillers in the same colors. Initials of the verses in French for St. Catherine, f. 28r-v, touched in yellow. Rubrics in red. Offset of blue paint from decoration on what was the facing page with a full border, now visible on ff. 5v (before the Hours of the Virgin), 15v (before lauds), 30 (before the Short Hours of the Cross), 35v (before the Short Hours of the Holy Spirit), 42 (before the Obsecro te), 47v (before the now-missing Office of the Dead), 52v (before the now-missing terce of the Hours of the Virgin). On f. 22, lower margin, note, s. XVII (?), "En faint mon fils s<?> ne voullez po<?> maine." Foliated, September 2023.Bound, possibly in former days, in limp vellum over boards, to the extent that there is with today's completely unbound book an outer shell of a limp vellum binding, but it is uncertain if this was ever attached to the present book, in that, sitting on the book's "front" and ''back" areas, there is a dark vellum "leaf" that might have been part of this book's binding. The stitching of the book's gatherings is solid, holding the book in its present jumbled state, and placing the book's one leaf with its highest present…
creator: Catholic Church
date: [15th century]
contributor: Rare Book Room of B&ECPL (repository)
rights: Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
language: lat
type: Text
identifier: RBR Mss. B66 1450

[Manuscript leaves]
subject: Manuscripts, French--Specimens
subject: Manuscripts, Dutch--Specimens
subject: Breviary
subject: Book of hours
description: Contents: France. Breviary leaf on vellum (ca. 1250) -- Rouen, France. Service leaf (ca. 1480) -- Book of hours (ca. 1500).
description: With illuminated initials.
description: Title and date for each leaf from penciled notation on folder.
description: Each leaf mounted in mat board folder; in portfolio.
description: Leaves 1 and 2 in Latin, in double columns; leaf 3 perhaps in Dutch.
creator: Catholic Church
contributor: Rare Book Room of B&ECPL (repository)
rights: Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
type: Text
identifier: RBR MSS. M36

Antiphonal and prayer book. Written in Germany for a chapel under the patronage of St. Cassius, St. Florentius, and St. Mallusius.
subject: Antiphonaries
subject: Prayer Books
description: Manuscript, on paper; initials and captions in red.
description: Identification from Ricci, Seymour de. Census of medieval and renaissance manuscripts in the U.S. and Canada.
description: Bound in elaborately gold-tooled Morocco over wooden boards: very large centerpiece formed of 4 large quasi-circles, touching each other at their center back point; the quasi-circles enclose flowers, leaves and scrolls; at the bottom of each quasi-circle, another set of stamps that include a crown over an elaborately formed letter M (for Maria?); in each of the 4 corners of the cover, complex scrollwork of 4 swirling branches, each terminating in a profile of a flower; all parts of the gold-tooled design with single-stem offshoots pointing away from the design itself and into the otherwise blank areas; scattered gold dots; edges gilt; pastedowns of the so-designated 'Dutch gilt paper' (made in Germany during the 18th century); two fore edge clasps closing from the back to the front cover.
description: 1) f. 1r-v. Asperges me Domine hysopo et mundabor . . . (antiphon at mass in all seasons except Easter), followed by vers., resp, and prayer, Praesta quaesumus omnipotens Deus per huius aspersionem aquae sanitatem mentis, integritatem corporis 2) ff. 2-3, Three benedictions: Benedictio in ambitu ad portam, Domine Iesu Christe qui introitum Portarum Ierusalem salvans sanctificasti dum spendore gemmarum duodecim totidem Apostolorum nomina persignasti ? [including saints Cassius, Florentius, Mallusius and companions]; Benedictio super scriptorium, Benedicere digneris Domine hoc famulorum Scriptorium et omnes habitantes in eo, ut quidquid hic divinarum Scripturarum ab eis Lectum vel scriptum fuit, sense capiant, ore perficiant per Christum Dominum nostrum; Benedictio ad cellam, Omnipotens et misericors Deus qui ubique praesens es, majestatem tuam suppliciter exoramus ut huius promptuario gratia tua adesse dignetur atque cunta ab eo adversa repellat et abudantiam benedicitionis tuae largiter infundat per Christum Dominum nostrum, Amen. 3) ff. 3-4v; f. 5, torn out Dominicis diebus quando servatur nocturn<um?> ad processionem sequens Antiphona, Sanctifica nos Domine signaculo sanctae crucis ut fiat nobis obstaculum contra saeva jacula inimicorum, defende nos Domine per lignum sanctum 5) ff. 7-37v, Antiphons and responses for the liturgical year from Advent through Palm Sunday; note in particular those designated on ff. 28v-30, "Apud portam coloniensem," on f. 30r-v, "In porta stellae," and on ff. 31-32, "In curia dominorum."
description: 6) ff. 38-39v, In Coena Domini absolutis vesperis dans benedictionem cum calice incipit Antiphona sequentem [sic], Hoc Corpus, Hoc corpus quod pro vobis tradetur, hic calix novi testament est in meo sanguine, dicit Dominus, hoc facite quotiescunque sumitis in meam commemorationem. Antiphona finita, portatur venerabile sacramentum ad cryptam cantando Pange Lingua fol. [space left blank] submissa voce et redeundo ex crypta itur ad lavandum altaria cantando per ordinem sequentes Antiphonas cum versu et collecta; functionem autem Presbiter iunior habet; incipitur autem ab Altari summo De Sanctis Patronis nostris Cassio, Florentio Antiphona sequens: Milites Christi hanc Domino dicaverunt concordiam. . . , vers., resp. and prayer, Propitiare quaesumus Domine nobis famulis tuis per Sanctorum Martyrum Cassii, Florentii, Mallusii Sociorumque eorum . . .services for Ash Wednesday, including washing of the altar, citing the high altar as that of 'our patrons' Cassius and Florentius, and with a prayer invoking Cassius, Florentius, Mallusius and their companions. 7) ff. 39v-53v, Prayers to twenty-six saints in what seems an ad hoc order, but which presumably reflects the order of the altars or reliquaries that belonged to this church: Holy Cross; Servatius; John of Nepomuk; Joseph; 'De Domina nostra in crypta'; Nicholas; Lambert of Maastricht; Helen of Constantinople; James the Greater; John the Evangelist; Andrew apostle; Cyriacus and companions; Agatha; "Domina in pasculo"; Urban pope; the Three Kings; Michael archangel; Peter apostle; 11,000 Virgins; Catherine of Alexandria; the Holy Trinity; Mary Magdalene; Stephen protomartyr; Barbara; Clement pope; All Saints. 8) ff. 54-72v, Services for the Triduum at Easter from Good Friday through Easter Sunday. 9) ff. 73-81v, Antiphons to sing at the altar to saints, with feasts from December through February: Barbara (4 December), Nicholas of Bari (5 or 6 Dec.), Stephen protomartyr (26 Dec.), John the Evangelist (27 Dec.), Holy Name o…
description: Paper (no watermark found); ff. iii + 85 + ii; 115 x 113 mm in an almost square shape; on the leaves with text alone: 17 long lines with a 'catchword' to the next page at the bottom of every page; when music is present, 6 lines of text and music per page with the music on 4-line staves. Written in a script imitative of Roman font, e.g. "ae" diphthong present; straight letter d; tall s at the beginning of and internal to words (but with a round s at the end or words); very few abbreviations. Music in Hufnagelschrift on 4-line staves. Rubrics and initials (the height of one line of text and its accompanying music) in red. Written in Germany, almost certainly in Bonn at Engelthal, for if not at the house of the Augustinian nuns who were there from at least 1324 (existing documentation); in 1460, they joined the Windesheim Reformation; the house was secularized in 1802. This ownership information derives directly from the modern note in pencil on f. 82: "Aus dem Kloster Engelthal im Bonn." The book was copied in or after 1729, since it includes on f. 40v a prayer to St. John Nepomucene (c. 1345 - 20 March 1393), who was canonized on 19 March 1729. The saints who are repeatedly cited in this book are the three members of the Theban Legion: Cassius and Florentius , who were martyred at Bonn on the Rhine; they were declared Principal Patrons of Bonn in 1643; the third and other members of this group are Mallusius and their Companions; the feast of these saints is on 10 October, with translation of their relics on 2 May (it occurred in 1166). Designations of the persons performing the various services are for men, not women: f. 32, "Decanus et duo seniores"; f. 33, "Duo Vicarii Refectoriales"; f. 38, "presbyter iunior"; f. 54, "Diaconi"; f. 63, "duo Chorales" (this last direction could technically have been for women). Another note in pencil, also in German and quite possibly by the same person who identified the book as coming from Engelthal, at the bottom of the same leaf…
description: On f. i recto (facing the front pastedown): bookplate of the Grosvenor Library; the handwritten modern call number, "B. C. 2. 1. 17"; and the oval book number inscribed "No. 34, Elson collection." Belonged to Louis Charles Elson (1848-1920) who was a professor of music theory and history at the New England Conservatory of Music from age 34 onwards; he had begun studying music with his mother, then went on to study in Leipzig; he composed songs, operetta and works for the piano, but mainly he studied and wrote on the history of music; he published in a number of Boston newspapers, and was the editor-in-chief of Modern Music and Musicians (1912; 20 vols.) and of the University Musical Encyclopedia (1912-14; 10 vols.). The collection of medieval fragments of music that had belonged to Louis Charles Elson was acquired in 1924 by the Grovesnor Library in Buffalo NY; this library, together with the Erie County Library and the Buffalo Public Library merged in 1953 to form today's Buffalo and Erie County Public Library. This leaf was n. 34 in the Elson collection. Present call number: RBR MUSIC 1600.C3.
description: * We are grateful to Dr. Christine Glassner of the Österreichische Akademie der Wissenschaften who read the inscription at the bottom of the page and who then identified Andreas Velten as well as the book that he authored and the musical texts that he wrote and owned.
creator: Catholic Church
date: [approximately 1700]
contributor: Rare Book Room of B&ECPL (repository)
rights: Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
language: lat
type: Text
identifier: RBR Music 1700 .C3

Manuscript on vellum, written in Italy, in the Dominican use, containing musical notation.
subject: Liturgy and ritual
subject: Psalter
description: Title and date from De Ricci.
description: Selected pages digitized due to condition of item.
creator: Catholic Church
date: 15th century
contributor: Rare Book Room of B&ECPL (repository)
rights: Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
type: Text
identifier: RBR Mss. C33

Les Cercles de l'Armee. But: Créer au front et à l'arrière des milliers de cercles, avec bibliothèques, revues, jeux, etc…. À la demande du grand quartier général. 300 cercles sont déjà ouverts.
description: Poster Number: 808
creator: Chavamioz
source: World War I Posters Collection
publisher: Crédit lyonnais
publisher: Crete : Paris (Printer)
date: [1914-1918]
contributor: Rare Book Room of the B&ECPL (repository)
rights: Digital image copyright 2017 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Still image
coverage: Early Twentieth Century (1900-1925)

The Entrance of the German and French Roman Catholic Cemetery at Pine Hill, Buffalo, N.Y.
subject: Postcards--New York (State)--Buffalo.
subject: Photographic postcards.
subject: Cemeteries--New York (State)--Buffalo.
subject: Catholic Church--United States.
description: Photographic postcard of the entrance monument of the German and French Roman Catholic Cemetery with people posing out front.
creator: Chilion Company, Phila, Pa., U.S.A.
publisher: Chilion Company, Phila, Pa., U.S.A. (publisher of orginal)
publisher: Buffalo and & Erie County Public Library (Publisher of Digital)
rights: Digital image copyright 2025 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpeg
language: ENG
type: Still Image

First evening meeting of the Chromatic Club
subject: Concert programs -- New York (State) -- Buffalo.
description: Established in 1898, the Chromatic Club of Buffalo still exists today, and is our oldest active music organization. This event in 1903 was attended by Mary Seaton Kleinhans, an accomplished pianist and vocalist, and wife of the owner of Kleinhan's clothing store.
creator: Chromatic Club (Buffalo, N.Y.)
source: Buffalo Theater and Music Program Collection
publisher: Buffalo & Erie County Public Library (Publisher of digital)
date: 1903-01-30
contributor: Nichols, Edith Sterling
contributor: Tupper, Florence C.
contributor: Kleinhans, Mary Seaton
contributor: Chase, Florice
contributor: Choate, Evelyn
rights: Digital image copyright 2019 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Text
coverage: Early Twentieth Century (1900-1925)

Recruits wanted for the Scottish Regiments. This is the life for a Scotsman
description: Poster Number: 261
creator: Clark, C.
source: World War I Posters Collection
publisher: [J. W. Ltd.] (Printer)
date: 1919
contributor: Rare Book Room of the B&ECPL (repository)
rights: Digital image copyright 2017 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Still image
coverage: Early Twentieth Century (1900-1925)

St. Paul's Church, Buffalo, N.Y.
subject: Postcards--New York (State)--Buffalo.
subject: Photographic postcards.
subject: Buffalo (N.Y.)--Buildings, structures, etc.
subject: Religious organizations--United States.
subject: Church buildings--New York (State)--Buffalo.
subject: Episcopal Church--United States.
description: Photographic postcard of Saint Paul's Episcopal Church in Buffalo N.Y., with a message from Miss Eugenia [illegible].
creator: Clawson & Wilson, Buffalo, N.Y.
publisher: Clawson & Wilson, Buffalo, N.Y. (publisher of orginal)
publisher: Buffalo and & Erie County Public Library (Publisher of Digital)
date: 1908-05-20
contributor: Milly (author)
rights: Digital image copyright 2025 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpeg
language: ENG
type: Still Image

Buffalo Savings Bank, Buffalo, N.Y. [2]
subject: Postcards--New York (State)--Buffalo.
subject: Buffalo Savings Bank.
subject: Buffalo (N.Y.)--Buildings, structures, etc.
subject: Banks and banking--New York (State)--Buffalo.
description: Picture postcard of the Buffalo Savings Bank, with people milling in the road in the foreground. With a message written out to Mrs. Waller B. Fargo.
creator: Clawson and Wilson, Buffalo, N.Y.
publisher: Clawson and Wilson, Buffalo, N.Y. (Publisher of Orginal)
publisher: Buffalo and & Erie County Public Library (Publisher of Digital)
date: 1909-03-30
contributor: [Blarnclre?] (author)
rights: Digital image copyright 2025 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpeg
language: ENG
type: Still Image

[Constitutiones Clementinae]
subject: Canon law--Manuscripts
subject: Canon law--Commentaries
subject: Illumination of books and manuscripts--Specimens
subject: Manuscripts, Latin--Specimens
subject: Manuscripts, Latin--New York (State)--Buffalo
description: Parchment; ; ff. 3 of which the first is a single leaf, and the second two are the innermost bifolium of a quire with consecutive text. Written in a light brown ink by a very unexpert (or very hurried) hand in a compressed gothic book hand in a space that seems to be ruled only for the vertical lines that designate the width of the writing area, although some areas do show the horizontal text lines: e.g. on f. 3v, in the inter-column space adjacent to the gloss's 2-line initial, and on that same page, in the lower right column, where 6 lines were left blank in order to copy the gloss's final line on the very last line available on that page (so that no one could insert other gloss without noticeably interrupting the flow of the text). The number of lines in either the text or the gloss area varies according to the amount of space necessary to copy the gloss that is relevant to the text on that page: the text lines on these leaves varies from 2 columns of 3 lines (on f. 1) to 2 columns of 36 lines (on f. 2); the number of lines of the gloss varies from 2 columns of 60 lines (on f. 1) to 2 columns of 66 lines (on f. 2; but note that the columns have here shrunk in width to where they accommodate only some 4 to 6 letters).
description: In both the text and the gloss, 3-line initials (although, since the text lines are more widely spaced than those of the gloss, a 3-line initial within the text is larger than an initial of the same spacing in height in the gloss) in alternating dusty rose or in blue, both with some patterning in white, and with flourishing in white-patterned dusty rose; the tendrils of the flourishing end with trilobe leaves or gold balls; in the gloss on f. 1v, the ground of the painted initial is particolored, red and blue. In the gloss on these three leaves, only one 2-line initial with penwork flourishing: on f. 3v, an initial in red with purple penwork. In both texts, paragraph marks alternating in red or in blue. Running headlines: on the verso, "L" (for Liber), and on the recto, the roman numeral in alternating red and blue numbers, "III." Early modern foliation in the upper right corner of the recto: 43; 50; 51.
description: Written in southern France, possibly in Montpellier given its law school, during the times after the first quarter of the 14th century: either after 21 March 1314, when its text was promulgated by Clement V, or after 25 October 1317, when John XXII, in his bull "Quoniam nulla" promulgated it as an obligatory text. According to De Ricci, this manuscript was acquired from "Weyhe" in March 1921, although it is unclear which "Weyhe" was intended: either the bookstore of the family of Heinrich Weyhe in Salzwedel (some 110 miles west of Berlin, in the former Prussian Saxony), which only closed in 2021 at the death of the last owner, Helga Weyhe; or De Ricci may have intended by the name "Weyhe" the bookstore that belonged to a nephew of that family, Erhard Weyhe whose shop at 794 Lexington Avenue in New York City was active in the 1920s and 1930s; Erhard Weyhe died in 1972. Belonged to the Grosvenor Library in Buffalo NY; this library, together with the Erie County Library and the Buffalo Public Library merged in 1953 to form today's Buffalo and Erie County Public Library.
description: Text in 2 columns, surrounded by commentary; 65-71 lines of commentary.
description: Leaves numbered 30-31 and 43, with [book] III in top margin.
description: Title from De Ricci.
description: Bibliography: De Ricci. Census, p. 1212, no. 21
creator: Clement V, Pope, approximately 1260-1314
date: [14th century]
contributor: Rare Book Room of B&ECPL (repository)
rights: Digital image copyright 2023 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpg
language: lat
type: Text
identifier: RBR Mss. C36 1300z

Buffalo Means Business
subject: Buffalo (N.Y.) -- Songs and music
description: Written for the Exposition held in Buffalo in the summer of 1909. At head of title: "Dedicated to the Buffalo Midsummer Exposition".
creator: Cluxton, Walter H.
creator: Schultz, Herman E.
source: Pan-American Exposition Sheet Music Collection
publisher: The Celebrity Music Co.
date: 1909
contributor: Grosvenor Room of the B&ECPL (repository)
rights: Digital collection copyright 2021 by the Buffalo & Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
coverage: Early Twentieth Century (1900-1925)

Pan. Pan. Pan.
subject: Pan-American Exposition (1901 : Buffalo, N.Y.)
subject: Pan-American Exposition--(1901:Buffalo, N.Y.) --Songs and music
description: At head of title: "Come All Ye" to the Exposition
creator: Cobb, Will D.
creator: Edwards, Gus
source: Pan-American Exposition Sheet Music Collection
publisher: Howley, Haviland & Dresser
date: 1901
contributor: Grosvenor Room of the B&ECPL (repository)
rights: Digital collection copyright 2021 by the Buffalo & Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
coverage: Early Twentieth Century (1900-1925)

Joan of Arc Saved France
description: Poster Number: 460
creator: Coffin, Haskell
source: World War I Posters Collection
publisher: [United States Army]
publisher: The United States Printing & Lithograph Co : New York (Printer)
date: [1917-1918]
contributor: Rare Book Room of the B&ECPL (repository)
rights: Digital image copyright 2017 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Still image
coverage: Early Twentieth Century (1900-1925)

Share in the victory
description: Poster Number: 684
creator: Coffin, Haskell
source: World War I Posters Collection
publisher: [United States Army]
date: [1917-1918]
contributor: Rare Book Room of the B&ECPL (repository)
rights: Digital image copyright 2017 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Still image
coverage: Early Twentieth Century (1900-1925)

Appel du Comité de l'Or du Département du Rhône. Pour la Patrie. Versez Votre Or. Ames Françaises, pas d'hésitations
title: Cœurs dévoués, pas de torpeur. Que peur l'Or? Rein, s'il est caché --Tout, s'il se montre. C'est avec l'Or, monnaie internationale, que la
description: Poster Number: 1021
creator: Coignet, Jean
source: World War I Posters Collection
publisher: Comité de l'Or du Département du Rhône
publisher: Librairies-Imprimeries reunies L. Martinet : Paris (Printer)
date: 1917
contributor: Rare Book Room of the B&ECPL (repository)
rights: Digital image copyright 2017 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Still image
coverage: Early Twentieth Century (1900-1925)

Poliphili hypnerotomachia, ubi humana omnia non nisi somnium esse ostendit, atque obiter plurima scitu sanequam digna commemorat
subject: Italian fiction--15th century
subject: Incunabula
description: Published in 1499 by the distinguished early printer Aldus Manutius, the Hypnerotomachia Poliphili presents the “story/strife of love in a dream.” As an incunable text, meaning that it was printed during the first 50 years of moveable type, it is unlike most incunabula in that it is not a religious or Classical text at all--rather it is a book about dreams, love and architecture. It is also lavishly illustrated for a book of its time with 172 woodcuts and cryptically written in an amalgamation of Latin and Italian languages. The copy belonging to the Buffalo & Erie County Public Library is heavily annotated in multiple languages.
creator: Colonna, Francesco, -1527
source: Poliphili hypnerotomachia, ubi humana omnia non nisi somnium esse ostendit, atque obiter plurima scitu sanequam digna commemorat
publisher: Buffalo & Erie County Public Library (Publisher of digital)
date: 1499
contributor: Rare Book Room of the B&ECPL (repository)
rights: Digital collection copyright 2016 by the Buffalo & Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
relation: Digital Collections of the B&ECPL
format: image/jpeg
language: eng
type: Text
coverage: 15th Century (1400-1499)

Saint Joseph's Cathedral
subject: Postcards--New York (State)--Buffalo.
subject: Photographic postcards.
subject: Catholic churches.
subject: Buffalo (N.Y.)--Buildings, structures, etc.
subject: Religious organizations--United States.
subject: Buffalo (N.Y.). St. Joseph's Cathedral.
subject: Church buildings--New York (State)--Buffalo.
description: Photographic postcard of Saint Joseph's New Cathedral in Buffalo N.Y.
creator: Colourpicture Publishers, Inc., Boston 15, Mass., U.S.A.
publisher: Colourpicture Publishers, Inc. (Publisher of Orginal)
publisher: Buffalo and & Erie County Public Library (Publisher of Digital)
contributor: Carhart Photo Service, Buffalo, Rochester, Syracuse, N.Y. (photographer)
rights: Digital image copyright 2025 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
format: image/jpeg
language: ENG
type: Still Image