Original leaf from an illuminated manuscript on vellum [manuscript] [ca. 1480]
Manuscripts, Medieval--Specimens
Breviaries--Italy--Specimens
Title from front cover and from presentation letter.
One vellum leaf (24 x 16.5 cm.) in a presentation case, accompanied by an undated presentation letter from Fred Alpers of the General Bookbinding Company.
Leaf taken from an Italian breviary, ca. 1480.
Initials and headings decorated in red and blue. No illuminations.
Rare Book Room of B&ECPL (repository)
Digital image copyright 2024 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
lat
Antiphonaries
Music--Manuscripts
Graduals (Chants)
Manuscripts, Latin--Specimens
Manuscripts, Latin--New York (State)--Buffalo
Parchment; f. 1; 9 lines of text and music; the text written in a formal gothic book hand in a space delineated with dry point (?) ruling at the top and at the bottom of the height of the minims; the music in square notation on 4-line red staves, with a custos at the end of each set of staves. On the verso, a historiated gray initial on a blue ground of the height of 2 lines of text with their staves of music, depicting Mary wrapped in her blue cloak, lying as if dead on her bed, with the apostles surrounding her, while in a cloudburst at the top of the initial, Christ, holding Mary as a small child, looks down upon her in her bed. On this verso, a color and gold bar, with gold balls, runs the length of the text; at the top it breaks in half and swirls off in both directions; at the height of the initial, it includes a grotesque with helmet, sword and shield; below the initial, it includes a grotesque with a human head on a bird?s body; in the lower margin, it includes a grotesque whose human upper part turns backward with ax overhead ready to fight his body?s tail which terminates in a dog?s head. A small squarish piece of parchment is now cut away, at what would have been the lowermost bit of decoration, with what were gold balls at its terminating points (the gold now completely worn away). Other decorated initials, the height of one line of text and ca. 3 lines of musical staves, in either red with blue penwork flourishing, or in blue with red flourishing; smaller initials in 1-line height following the same patterns of colors. In red: the rubrics and the superscript folio numbers for the parts of the mass cited (with red roman numerals from 205 through 231). Foliated in red roman numerals in the center upper margin of the verso: clxxxiiii (= 184); adjacent to his original folio number is a modern number in pencil, ?198.?
Written in France during the 15th century; the use of the word ?officium? to designate the introit suggests that the book from which this leaf was taken had been copied for a church of Carthusian, Dominican or Carmelite rite. Belonged to Louis Charles Elson (1848-1920) who was a professor of music theory and history at the New England Conservatory of Music from age 34 onwards; he had begun studying music with his mother, then went on to study in Leipzig; he composed songs, operetta and works for the piano, but mainly he studied and wrote on the history of music; he published in a number of Boston newspapers, and was the editor-in-chief of Modern Music and Musicians (1912; 20 vols.) and of the University Musical Encyclopedia (1912-14; 10 vols.), among the ca. 50 items that he published over the course of his life. The collection of medieval fragments of music that had belonged to Louis Charles Elson was acquired in 1924 by the Grosvenor Library in Buffalo NY; this library, together with the Erie County Library and the Buffalo Public Library merged in 1953 to form today?s Buffalo and Erie County Public Library. This leaf was n. 9 in the Elson collection. Present call number: RBR PRINT 235. Two leaves from the BECPL (one, a leaf taken from the psalter belonging to the Buffalo Public Library in 1936; and the second, the present leaf from a gradual from the Grosvenor Library MS 9, now RBR PRINT 235) were lent to Colgate University for an exhibition planned and run by Prof. Judith Oliver; the leaves were returned to the BECPL on 5 June 1987.
Both leaves in black ink with illuminated capitals ; 1st leaf is a page with musical notation and lyrics ; 2nd leaf is apparently from a breviary. Both leaves were part of an exhibition at the Picker Art Gallery, Colgate University, Hamilton, New York, in 1987.
Gradual with chants from the end of the feast of St. Lawrence (10 August), the rubrics for the feast of St. Hippolytus and companions (13 August), and the vigil and then the beginning of the feast of the Assumption of the Virgin (14 and then 15 August).
References: De Ricci. Census, p. 1210, no. 9
Congestion of the brain in cholera : its etiology, diagnosis, and treatment
Cholera--Epidemiology.
Cholera--New York (State)--Buffalo.
Newman, James M., -1860
eng
Sanitary reports of the City of Buffalo for the year 1854
Report concerning the 1854 cholera epidemic in the city of Buffalo.
Buffalo (N.Y.) Board of Health
Spring of Life : Abortion Battleground in Buffalo
Operation Rescue (Organization)
Pro-choice movement--New York (State)--Buffalo
Pro-life movement--New York (State)--Buffalo
Terry, Randall A.
Griffin, James D. (James Donald), 1929-
Slepian, Barnett, 1946-1998
Following Easter Sunday in 1992, the pro-life group Operation Rescue staged its “Spring of Life” demonstrations in front of several Western New York abortion clinics. Anti-abortion activists had been invited by Buffalo mayor Jimmy Griffin to stage their demonstrations in Western New York. New York State abortion law had gone into effect in 1970, allowing abortions during the first 24 weeks of pregnancy. Operation Rescue founder Randall Terry and national director Rev. Keith Tucci made appearances. The campaign was modeled after a 46 day protest a year earlier in Wichita, Kansas. During those “Summer of Mercy” sit-ins and blockades, 2,600 people were arrested. Three abortion clinics were closed for a week. The Buffalo demonstrations lasted two weeks, resulting in more than 620 arrests. Many pro-choice activists showed up, locking arms in front of the clinics, preventing them from closing. During the two weeks of demonstrations, one rear driveway to the Buffalo GYN Womenservices clinic on Main Street was blocked for a few hours. The “Spring of Life” demonstrations attracted national media attention, and served as the lead news story on the nation’s major networks. The Rev. Robert Schenck, an anti-abortion activist, was arrested for disorderly conduct after carrying a 19 week old human fetus and holding it up to abortion-rights demonstrators. His brother Paul, also a minister, was arrested for trespassing after boarding the bus where his brother was being held by the police. Dr. Barnett Slepian, who provided abortions at a women’s clinic Buffalo, was one of five doctors targeted by anti-abortion demonstrators. His house was picketed and he became increasingly concerned about the safety of his family and his own vulnerability. Six years after the Spring of Life demonstrations he was assassinated in his suburban Buffalo home while preparing soup in his kitchen. James Kopp, the man convicted of his murder, had been nicknamed “Atomic Dog” by radical elements in the anti-abortion movement. Originally aired on WIVB-TV.
Newberg, Rich (Reporter)
WIVB (Television Station : Buffalo, N.Y.)
Buffalo & Erie County Public Library (publisher of digital)
Murphy, Kurt (Graphic Arts Director)
Rice, Marie (Reporter)
Walker, Jacquie (Reporter)
Pfeiffer, Rick (Reporter)
Koop, Bob (Reporter)
Copyright held by WIVB-TV. Access to this digital version provided by the Buffalo & Erie County Public Library. Videos or images in this collection are not to be used for any commercial purposes without the expressed written permission of WIVB-TV and the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
The Memory Keepers : Rescuing Western New York’s Moving Image History
Broadcasters--New York (State)--Buffalo--History.
Broadcasting--New York--Buffalo--History.
The Memory Keepers (2021) This feature presents the cornerstone project of the Buffalo Broadcasters Association (BBA). It lays out the goals and challenges in preserving and utilizing Buffalo’s archival TV news film and videotape dating back to the mid-1960s. This piece is the most recent in a series of videos tracing the history of The Archive Project. “The Memory Keepers” was presented at the Buffalo Broadcasters Hall of Fame induction ceremony on November 4, 2021 (Runs: 7:12) The Archive Project History (5 Parts: 2006 - 2011) (Total running time: 22:49) The history of The Archive Project is presented here by Rich Newberg in a series of five features. They document a period of awakening to the value of archival TV news footage, and show how painstaking efforts are underway to preserve the moving images that reflect more than a half century of life on the Buffalo-Niagara Frontier. Rich Newberg is a founding member of the Buffalo Broadcasters Association and former Archive Task Force chairman for the BBA. His five video reports were presented during most of the BBA's Hall of Fame ceremonies between 2006 and 2011.] (Summary of Reports) The Archive Project (2006) Runs: 3:51 *Edison’s historic moving images of Buffalo are presented as well as a vision for The Archive Project *The first meeting with Buffalo television executives is documented *Recommendations are given for saving Buffalo’s TV news film collection The Archive Task Force (2008) Runs: 4:00 *A task force is created to seek grants for digitization of TV news film in the BBA's possession *University at Buffalo senior research scholar Michael Frisch signs on to create a system for categorizing and indexing digitized material *Highlights of major Buffalo news stories from the 1960s and ’70s are referenced (civil rights riots, Blizzard of ’77, Love Canal, Attica uprising, Jack Kemp’s political rise to power) The Journey Begins (2009) Runs: 4:39 *First boxes of TV news film are itemized from the year 1966 *A vision is presented for a museum and resource center to house the collection *First meeting is conducted with Buffalo area colleges and universities *The BBA’s Archive Project is featured at a national conference of the Institute of Museum and Library Services held in Buffalo *Conference presenter Dr. Michael Frisch calls Buffalo “one of the most important media centers in the country, of the evolution of television news.” He references Western New York natives Tim Russert, Wolf Blitzer, and political satirist Mark Russell Buffalo Moments in Time (2010) Runs: 3:52 *A database is created listing the slugs of all 15-hundred WIVB-TV (formerly WBEN-TV) news stories from the year 1966, the first full year of the BBA’s collection *Scene Savers of Covington Kentucky sends representative John Walko to advise BBA leadership on how best to preserve and utilize the archival news film *Dr. Michael Frisch illustrates how his company, Randforce Associates, is able to catalogue and index all the digitized footage for easy access *BBA president Dave Gillen says, “We’ve got all the pieces in place. We just need the money to do it.” The Scene Savers (2011) Runs: 6:00 *The step-by-step digitization process is documented by Scene Savers staffers working on the BBA’s Archive Project. *Mr. Newberg says future projects will range from documentaries, to classroom presentations, to museum exhibits *The project seeks to complete the mission of the BBA to make Buffalo’s moving image history accessible to the public, “so that future generations will know their roots and will appreciate the contributions of Buffalo’s broadcasting pioneers.” Official Launching of The Archive Project (2019) WIVB-TV Report Runs: 3:24 On March 29, 2019, the Buffalo Broadcasters Association (BBA) officially launched The Archive Project. The BBA established written agreements with WIVB-TV (Nexstar/CBS) and WKBW-TV (Scripps/ABC) to digitize their news film and early videotape archives. The moving image archive will be made available for educational use only. Through BBA fundraisers, donations, and grants from the Western New York Library Resources Council, digitized news reports and clips dating back as early as the mid-1960s began being posted on the New York Heritage website. Postings will also appear on the BBA’s own website. This WIVB-TV news report by News 4 anchor Jacquie Walker shows viewers the scope of the project and why the initiative is a valued resource for Western New York and the nation.] Official Launching of The Archive Project (2019) WKBW-TV Report Runs: 2:05 The BBA collection of archival Buffalo TV news film and video tape becomes the first of its kind on the New York Heritage website. Rich Newberg, one of the chief architects of the project, comments that the collection will document “huge stories, huge challenges that faced this community.” He says the archive holds valuable lessons for “seeking better solutions in the future.” He adds, “It’s the journalists, the reporters and photographers, who basically gave their communities the first draft of history. And that’s why we think it’s so vital to bring this back.” Actor Ed Asner Endorses The Archive Project (Recorded: September 20, 2019) Runs: :60 sec. Ed Asner, who played television’s legendary news director Lou Grant on the Mary Tyler Moore Show, endorsed the BBA’s Archive Project in a public service announcement. The endorsement was recorded while Mr. Asner was in Rochester, New York performing a one man show. Asner endorsement: “Hello. I’m Ed Asner. You may remember me as television’s no-nonsense news director, Lou Grant. If you think about it, journalists provide us with our first draft of history. Right here in Buffalo, more than 50 years of TV news coverage is being brought back to life! Local stations are working with the Buffalo Broadcasters Association to bring back the stories that helped define the Niagara Frontier. It’s called The Archive Project, and I support it with all my heart! So should you.”]
Newberg, Rich (Producer, Writer, Host)
Vetter, Tom (Producer, Editor)
Diving with and without armor : containing the submarine exploits of J. B. Green, the celebrated submarine diver
Diving
Scuba diving
Great Lakes (North America)
Green, J. B. (John B.), 1826-
Autobiography and recollections of a pioneer printer : together with sketches of the War of 1812 on the Niagara frontier.
United States--History--War of 1812
Autobiography and memoir of Eber Dudley Howe, newspaper publisher and critic of the Latter Day Saint movement. Born in 1798 in Clifton Park, New York, Howe was a member of the U.S. Army in Batavia during the War of 1812. He would go on to work at the Buffalo Gazette in Buffalo, New York, as well as papers in Erie, Pennsylvania and Cleveland, Ohio. Howe would go on to publish Mormonism Unvailed in 1834, considered the first anti-Mormon book.
Howe, E. D. (Eber D.), 1798-1885
Telegraph Steam Printing House (publish of original)
Manuscript missel on vellum of the XV century [Book of hours]
Manuscripts, Latin--15th century
Liturgy and rituals
Hours
Obsecro te prayer, with masculine forms: . . . [f. 20:] . . . in quibus ego sum facturus, locuturus aut cogitaturus . . . et michi famulo tuo impetres . . . -- 4. ff. 22-38v (in vol. 1) and ff. 39-72 (in vol. 2); f. 72v blank, Hours of the Virgin, use of Rome.
Contains 9 illuminations within decorative borders, and 4 illuminated initials.
Parchment; ff. 72, bound in two volumes with the break between the two between f. 38v and f. 39, which opens lauds with a miniature of the Visitation; 155 x 105 (90 x 63) mm; after the 12 leaves of the calendar, the quires are regularly of 8 leaves, with the catchwords written vertically along the text's inner bounding line; the final gathering retains only 4 leaves. 16 long lines ruled in ink for the text; the calendar in 17 ruled lines. Written in a spikey gothic book hand.
Nine major miniatures, above 3 lines of text, and with slightly rounded tops; full border of acanthus and colored leaves and flowers: f. 13 (gospel of John), John the Evangelist seated on the island of Patmos, inscribing his gospel onto a roll which reads "[I]n Pri[ncipio]," while his eagle looks on; f. 22 (matins of the Hours of the Virgin), Annunciation to the Virgin, in an elaborate Renaissance room with column and sculpted balustrade and a gold-embroidered red bedcurtain, as the Virgin turns towards the kneeling angel, and the Holy Spirit descends to her; f. 39 (lauds), Visitation showing Mary and her cousin, Elizabeth; f. 50 (prime), Nativity with the baby Jesus lying on the extended hem of the Virgin's dress, as Joseph, holding a candle (?), enters the foreground; f. 54 (terce), Annunciation to the shepherds; f. 58 (sext), Adoration of the Three Kings, one of them old, one middle-aged and one young; f. 61 (none), Presentation in the temple, as Simeon, his hands covered with a cloth, reaches out to hold the baby Jesus, with Mary holding him and Joseph waiting; f. 64 (vespers), Flight into Egypt; with Joseph leading the donkey that carries the Virgin and the baby Jesus f. 69 (compline), Coronation of the Virgin as she kneels before Jesus, enthroned, who crowns her as blue angels hover behind.
Four large miniatures, 6 lines in height. When the miniature is on a recto: narrow gold bar along the left border of the text, holding in place sprays of acanthus leaves and colored flowers in the upper and lower margins; when the miniature is on a verso: a wide bar border the length of the text of acanthus leaves and colored flowers or strawberries: f. 14v (gospel pericope of Luke), Luke, seat on a wooden chest, inscribing his gospel on a roll, as his ox reclines quietly beside him; f. 15v (gospel pericope of Matthew), Matthew holding up his pen and looking upwards to God, and his angel kneels behind him; f. 17 (gospel pericope of Mark), Mark, seated on a stool, inscribing his gospel on a roll, as his lion reclines quietly beside him; f. 18 (Obsecro te), the enthroned Virgin holding the baby Jesus.
Major initials to open each of the hours of the Virgin, 3-line height, in blue against deep red grounds, decorated in liquid gold; 2-line and 1-line initials in painted gold against deep red or blue grounds, decorated in gold; line fillers in gold-decorated bands of deep red or dark blue. Rubrics in red. Bound in two volumes, the first of 38 leaves, the second of 34 leaves (foliated as ff. 39-72); binding is modern red morocco; each volume with the same statement of provenance lettered on the front cover: at the top: "Manuscript Missel [sic] on Vellum of the XV Century" and at the bottom: "Presented by James Fraser Gluck to the Buffalo Library A.D. 1886."
Written in France during the second half of the 15th century; the calendar includes the feast of the Dominican, Vincent Ferrer who was canonized in 1455. In addition, the dark colors in the backgrounds of the painted initials is typical of work done at the end of the century. A slip from an auction catalogue is glued to the front pastedown of the first volume: it presumably was retained here because it represents this present manuscript, although the book of hours described on the slip is said to have 164 leaves (as opposed to the present ff. 72), with "14 beautifully painted miniatures" (there are 9 in the book as it now stands); in addition, this slip labels the manuscript it describes as n. 959 in its catalogue, suggesting a very large sale; the slip is assumed to come from an auction catalogue (rather than a sales catalogue) because there is no price associated with it (and the very top of the following entry is just barely visible at the bottom of the slip). The manuscript as it now stands, of 72 leaves, belonged to James Fraser Gluck (1852-1897); he had the book bound in its present red morocco, had the inscriptions placed on the front covers, and donated the now-two volumes (along with a large collection of materials relating to British and American authors) to the Buffalo Public Library in 1886, which is a very early date for interest in medieval manuscripts in the United States.
Calendar in red and black--V. 1, leaves [1-12].
Identified in De Ricci as Horae, Roman use, written in France.
Catholic Church
Buffalo and Erie County Public Library (publisher of digital)
Gluck, James Fraser, 1852-1897
Latin
Buffalo (N.Y.)--Biography.
Women--New York (State)--Buffalo--Biography.
“Love is Stronger than Pain” is the title of Michael O’Brien’s book memorializing the legacy of his mother, Irene Corcoran O’Brien. She lived a life of daily sacrifice, tending to the critical needs of two of her children stricken with a rare, debilitating, painful disease which causes blistering of the skin and deformities. Her faith and unconditional love of John and Maureen enabled them to experience joy in life and inspire others to do the same. WIVB-TV’s Rich Newberg covered the O’Brien story for years, capturing the spirit of John, who honored the wish of his late sister and helped raise funds for a play about her life. “Hit Me Again” was in presented in Buffalo in April 1991. John died in 1992 at the age of 39. He was the oldest survivor of dystrophic epidermolysis bullosa. Maureen was 27 when she passed away in 1984. She died as her mother was changing here dressings. Both brother and sister appeared much older than their years. At John’s funeral it was said by his brothers that “he made friends out of strangers and family out of friends.” The series of reports ends with the tribute to Irene. Newberg interviews Michael who recalls Mother Theresa giving Irene her rosary. There is a scene of the brother and sister in the audience during Mother Theresa’s presentation at Niagara University. Speaking of his mother’s spirit, Michael says, “It was genuine humility…” He added, “She just thought that she was fulfilling God’s will and purpose for her life.”
Newberg, Rich (Reporter, Archivist)
Grosvenor Room of B&ECPL (repository)
Copyright held by WIVB-TV. Access to this digital version provided by the Buffalo & Erie County Public Library. Videos or images in this collection are not to be used for any commercial purposes. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
PS 076 Herman Badillo Bilingual Academy
Journalism, Elementary school
Journalism and education
On September 30, 1997, WIVB-TV created a mentoring program for high school students at the Herman Badillo Bilingual Academy in Buffalo. The goal was to initially expose them to the inner workings of a television newsroom and teach them the basics of broadcast journalism and production. News 4 anchor Rich Newberg and news photographer Tom Vetter conducted workshops with the final goal of creating a TV news magazine program called “The Badillo Beat.” Fernando Correa, an 8th grade student who showed great potential in front of the camera, anchored the program, taking viewers into the heart of Buffalo’s Hispanic community. The purpose was to address important unresolved social issues. The items featured in this compilation include reports on what transpired during the course of the project and the student produced program that was presented to the school on June 23, 1998. Buffalo mayor Anthony Masiello had praised the initiative, telling students at the partnership signing ceremony that they were being given “an opportunity to grow” at a time when “communications is everything.” He said, “We live in an international marketplace. By the time you are adults, we’ll be communicating with all parts of the world every single day visa-a-vis TV and journalism, computers and telecommunications.” The Herman Badillo Bilingual Academy already had facilities and equipment used to videotape important school events. Rich Newberg told them that having entry into a television station and a professional newsroom could be a major step toward a career in broadcast journalism. However, he cautioned them that, “Unless you go for it, unless you want want it badly enough and work for it, it is not going to come to you. All we can offer you is the opportunity to see what television is all about.”
Vetter, Tom (News photographer)
Murphy, Kurt (Graphic artist)
Bert Hyde, First Ward historian and lifelong Resident, curator and co-founder of The Waterfront Memories and More Museum, daughter and sister of Buffalo Grain Workers
Grain elevators--New York (State)--Buffalo--Employees
Grain elevators--New York (State)--Buffalo
Grain trade--New York (State)--Buffalo
“Girls didn't go by the waterfront.” Most women and girls who lived in Buffalo's First Ward -- the waterfront community at the heart of Buffalo's once-pulsating grain industry -- never went close to the waterfront or worked among the grain elevators. But the industry was ever-present in their lives, from the grain that their husbands, fathers and brothers blew off their clothes when they came home for lunch, to the grain they sneaked from railcars, to the flour bags that mothers sewed into girls' dresses. Bert Hyde was interviewed by Kate Kaye in Buffalo in February 2020.
Kaye, Kate
https://redtailmedia.org/spilling-grain/
Hyde, Bert
General Mills, inc.--History
“It's like walking next to a jet, that's how loud they are.... That thing was just whistling and screaming.” Don Dodd got his start at General Mills in 1969 and worked there for decades, taking on all sorts of roles. For a time, he was a gunner - literally shooting Cheerios out of a pressurized chamber that created a deafening sound. In the early days churning out breakfast cereal and cake mixes, there were distinct roles for men and women at the plant. And, even though work there could be hot, noisy and grueling, Don and his coworkers often managed to find time for a break, sometimes dashing across the bridge for a 25 cent "adult beverage" at the nearby Swannie House. Don Dodd was interviewed by Kate Kaye in Buffalo in January 2020.
Dodd, Don
[Bert Hyde pictured outside the Waterfront Memories and More Museum with the Lake and Rail Elevator and Buffalo river in the background]
Bert Hyde is pictured outside The Waterfront Memories and More Museum in February 2020, with the Lake and Rail Elevator in the background.
[Former General Mills worker Don Dodd standing in front of table with memorabilia displayed]
Don Dodd displays General Mills and grain related memorabilia at his home in January 2020.
Parchment; ff. 2, not consecutive nor attached to one another; with a very deep lower border (as if in anticipation of an eventual need to add notes to the page?); 9 lines of text, each preceded by its row of staves; pricking along both the outer and the inner margins that ties in groups of 5 holes to the 1 text line plus 4 stave lines. Formal gothic minuscule that includes both the curled line ("ricciolo") and the small waved line ("ondina") abbreviation marks for, respectively, the preconsonantal "r" and the prevocalic "r"; see Andrea Bocchi, "Riccioli e ondine. L'abbreviazione per vibrante preconsonantica e prevocalica nella gotica italiana dei secoli xiii e xiv," Scriptorium 61 n. 2 (2007) 430-437 and images on pl. 52; at the end of the article, Bocchi places use of these marks in central Italy, and he dates them to the time span of the 13th century and into the early years of the 15th. Music in square notation on 4-line red staves with a custos at the end of the set of staves. Initials of somewhat more than 1-line height (they extend into the staves' second line from the bottom) in plain alternating red with simplistic blue flourishing, and blue with red flourishing; the letter following the decorated initial and occasional other initials throughout the text are touched in red. Rubrics in red that are copied above (not before) the beginning of the relevant piece of text. Early modern pagination in ink in the uppermost outer corner of each side of the leaf.
Written in Italy during the early years of the 15th century. On p. 202, in the center lower margin, the pencilled note: "Mr. Charles D[avenport ?] Champlin, 3-2-36 D" presumably representing the person from whom these two leaves were acquired, and the date of acquisition, March 2, 1936; the initial "D" may represent the librarian. In-house library files cite the name of Louis Charles Elson (1848-1920) but probably incorrectly.
Bibliography: De Ricci. Census, p. 1212, no. 28
Antiphonal, with responsories 2 through 6, and their accompanying versicles, for Quinquagesima Sunday. -- Antiphonal, with responsories 1 through 5, and their accompanying versicles, for Passion Sunday.
Digital image copyright 2023 by the Buffalo & Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo & Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.
Leaves conjugate but not consecutive; 1st leaf (5 lines) with musical notation; 2nd leaf (15 lines) with text only.
Parchment; one bifolium, i.e. ff. 2, non-consecutive, with the leaves pasted together at the gutter; On f. 1: 5 lines of text and music, the text written in a formal gothic script, the music in square notation on red 4-line staves with a custos at the end of each set of lines; added tones for the antiphons are noted in the margins: 3rd tone on the recto; 5th tone on the verso. Rubrics in red. In the uppermost right corner of the recto, the folio number: 12. On f. 2: 15 lines of text; formal gothic script. In the uppermost right corner of the recto, the folio number: 19. The folio numbers on these two leaves and the basic knowledge that in books of Italian origin and at this date the standard quire size is of ten leaves point to this set of leaves as being the second bifolium in the second quire. On both leaves: 1-line initials (i.e. the height of slightly over one line of text) either in red with purple flourishing, or in blue with dark red flourishing; the painted blue initial on the first recto was originally written as a letter N that was then partially erased to give a majuscule letter I; 4 initials in black ink, with Elefantenr sel.
Written in Italy, probably towards the end of the 15th century; this late date is suggested by the presence of a comma (!) in the text on f. 1 recto. According to De Ricci, the library acquired these leaves from Henkels, in December 1931, and there is a note in pencil in the lower margin of f. 1 reporting this fact: "Henkels 12-8-31 [signed:] E."
Bibliography: De Ricci. Census, p. 1212, no. 27
Office for the Purification of the Virgin (2 February), in part, but with musical notation showing the importance of this feast. -- Office for the feast of Agatha (5 February), at matins, including here the end of the second nocturn and the beginning of the third.
Buffalo & Erie County Public Library (Publisher of digital)
Illumination of books and manuscripts--Specimens
Miniature of the Annunciation; decorative border.
Parchment; f. 1; 9 lines of text and music, the text written in a formal and very spiky Germanic gothic book hand, and the music in square notation on 4-line staves, with a custos at the end of each line of staves; the vertical rules on either side of the written space are doubled.
A square miniature opens the feast of the Annunciation, the height of almost 2 lines of text and music: enclosed in a wooden frame, in a large and deep Renaissance-style bedroom, with a long hall reaching straight back to a garden, the archangel Gabriel approaches in flight from the upper left, with the Holy Spirit in the form of a dove above the Virgin's head, as she turns backwards from her prayers to see the angel; a large vase with lilies sits in the center of the floor. For another pattern of the same miniature, see, for example, Glasgow, University Library, Hunter MS 25 (S. 2.15), the one full-page miniature in the book (there are nine smaller miniatures), in a breviary with pictures attributed to the Master of the First Prayer Book of Maximilian. This manuscript is discussed in Thomas Kren and Scot McKendrick, Illuminating the Renaissance: the Triumph of Flemish Manuscript Painting in Europe (Los Angeles: Getty Museum, 2003), in a section by Thomas Kren on pp. 317-318, n. 89, with a reproduction of the Hunterian manuscript's miniature of the Annunciation.
In the BECPL manuscript, on the recto, a 2-sided border of interconnecting triangles in red, dark blue, green and yellow, each one decorated with faint drawings; the blue triangle directly below the archangel Gabriel contains a coat of arms: quarterly, 1 and 4, [two or three objects?], 2 and 3, argent [?], two bars [azure?]. The R that opens the chants for the Annunciation is rendered as if a 3-dimensional wooden letter, with shadows, sitting on a gray ground; other initials: two are the height of one line of text and one set of staves, in red; another initial, of the same size, is in black Elefantenr sel with flourishes of curled acanthus leaves, touched in green. Rubrics in red. Foliation in black ink in the center of the outer margin of the recto, and with the same number in early modern foliation in the upper right corner of the leaf: "xciiii" (= 94).
Written probably in Austria during the turn from the 15th to the 16th century; the assigning of this leaf to Italy in De Ricci's Census proves that De Ricci himself had not seen this leaf. According to the BECPL inhouse website, the leaf belonged to Louis Charles Elson (1848-1920), although there is no comment to that effect in De Ricci, and there is no oval or round sticker with Elson's name on the leaf (as there is on the leaves in this library's collection that certainly belonged to Elson). We are very grateful to Peter Kidd, who proposed the similar pattern of the Annunciation in the manuscript held in Glasgow, and to his citation of relevant bibliography
"Formerly used as a wrapper for deeds."--De Ricci
Bibliography: De Ricci. Census, p. 1212, no. 26
Gradual, with the end of the gradual chant and then the communion chant for the feast of St. Benedict (21 March), followed by the introit for the feast of the Annunciation (25 March), with its versicle and the beginning of its gradual; references to other parts of what was once the book that contained this leaf are, on the recto between the rubric and the beginning of the text, "Vultum tuum, fo. 1" and on the verso before the present gradual chant, "Graduale, Diffusa est, [fo.] lii."
Previously classified as RBR MSS. C33G76 1500
Education--New York (State)--Buffalo
Education--New York (State)--Erie County
Bullying
Serious incidents of school bullying were receiving national attention in 2011. President Barrack Obama held a White House conference on preventing bullying after high profile cases of teenage suicides struck a national nerve. In Western New York, worried parents of young victims of bullying were concerned that their school districts were not dealing effectively with the issue. A rash of incidents on school buses targeted students as young as six years old. WIVB-TV Senior Correspondent Rich Newberg reported on young children being tormented and found that school superintendents were reluctant to go on-camera to discuss the issue. Parents said bullies were not being punished, even after repeated incidents were documented. There was enough pubic interest in the growing problem to warrant a special WIVB-TV presentation. On March 2, 2011, large portions of the 5 and 6 o’clock newscasts were set aside to feature a panel of experts who took calls from concerned viewers. They addressed issues including whether or not a targeted child should fight back. Parents were also advised to look for signs indicating that their child might be a victim of bullying. It was noted that victims can carry deep emotional scars. There were calls for serious interventions by school districts that had been reluctant to take direct action against known bullies. The segments ended with high profile celebrities and politicians, including President Obama, offering words of encouragement to those who were being tormented at school. Students were urged not to remain silent and to seek help from those they trust, including parents and teachers. Legendary Buffalo boxer “Baby Joe” Mesi told a group of public school children that he had been a victim of bullying. The former world heavyweight contender said he built up his self confidence by learning how to box. “Too often the voice of the victim, the target of the bully, goes unheard,” said WIVB-TV General Manager Chris Musial. He added, “Young people still feel trapped, abused and tormented. We at WIVB-News 4 and CW23-WNLO are committed to digging deeper in our coverage of this important issue. Whether it begins in the schoolyard or school bus, or in cyberspace through online taunting or texting, we will continue our efforts to find solutions that lead to an end of these horrible actions by bullies.” “The Bully Project” was honored with a national Sigma Delta Chi Public Service Award from the Society of Professional Journalists.
Newberg, Rich
Murphy, Kurt (Graphic Artist)
George Richert (Reporter)
Parchment; ; f. 1; 7 lines of text and music, the text copied in a highly fractured gothic book hand, and the music in Hufnagelschrift on 5-line red staves, with a custos at the end of each set of staves, with text and music placed within "tram lines" that border the written area on both vertical sides. The opening initial corresponding to the height of 2 lines of text and their corresponding 2 sets of staves in an initial formed of scrolling green leaves, set on a punched gold ground, and enclosed withing a frame of pieces of "wood" in alternating red and blue sections; growing out of the initial, and running the length of the page in its far left border is an extended scroll of multicolored acanthus leaves and gold dots, the entire spray of leaves is roughly trimmed on the left by the knife of the person who removed this leaf from its binding. In the lower margin, an equivalent spray of acanthus leaves, flowers and gold dots, enclosed within a narrow silver frame. On the verso, a calligraphic initial (equivalent to 1 line of text and its music) in the ink of the text. In upper right area of the recto of the leaf, the foliation in red roman numerals, "ccxi."
Written in Austria during the time at the end of the 15th and the beginning of the 16th century. Although the Buffalo and Erie County Public Library states that the leaf was part of the collection of Louis Charles Elson (1848-1920), there are no round / oval stickers on the leaf that assert Elson's ownership of the leaf, nor is that assertion of provenance in the record by S. De Ricci. Formerly in the Grosvenor Library in Buffalo NY; this library, together with the Erie County Library and the Buffalo Public Library merged in 1953 to form today's Buffalo and Erie County Public Library.
Bibliography: De Ricci. Census, p. 1212, no. 25
Antiphonal with the very end of the service for the feast of the Decollation of John the Baptist (29 August) and the beginning of the service for the feast of the Nativity of the Virgin (8 September).