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                <text>eng</text>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                  <text>"We the People" Community Quilt Project</text>
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
&#13;
This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
&#13;
Residents of Western New York were invited to make and submit a 9 inch by 9 inch fabric square (sewn or constructed using glue) responding to the question “Who are ‘we the people?’” A quilt of these unique fabric squares was be sewn together in August 2026. &#13;
&#13;
If you have questions regarding a specific quilt square in this collection or one that you were responsible for creating, please contact the Grosvenor Room at grosvenorref@buffalolib.org. </text>
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                <text>L-O-V-E</text>
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                <text>Seguin, Joshua</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204592">
                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
1. What does your square represent? mountain + pine tree - hiking. Ocean - for the beach. Gem - my september birthstone. This quilt represents me + the things I love. 
2. Why did you choose these symbols? It represents my life living in NY + moving to NH for 2 years + moving back home. It shows how beautiful life is in both places. 
3. What do you hope viewers notice or feel?  I hope viewers feel happiness + it makes them want to camp + be outside.</text>
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                <text>2026-06-30</text>
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            <description>The nature or genre of the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="205171">
                <text> Buffalo and &amp; Erie County Public Library (Publisher of Digital)</text>
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            </elementTextContainer>
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        </elementContainer>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="204281">
                  <text>"We the People" Community Quilt Project</text>
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              <description>An account of the resource</description>
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
&#13;
This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
&#13;
Residents of Western New York were invited to make and submit a 9 inch by 9 inch fabric square (sewn or constructed using glue) responding to the question “Who are ‘we the people?’” A quilt of these unique fabric squares was be sewn together in August 2026. &#13;
&#13;
If you have questions regarding a specific quilt square in this collection or one that you were responsible for creating, please contact the Grosvenor Room at grosvenorref@buffalolib.org. </text>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Love &amp; Pride</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="204660">
                <text>Semo, Andrew J.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204661">
                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
1. What does your square represent? I used tweed fabric to make bookshelves and cut small pieces of striped fabric to make books. I glued each strip to make realistic shelves. The green border is representative of my dad. The green clouds were cut from sheep-patterned fabric. 
2. Why did you choose these symbols? Reading and books in general has been the center of my life since I learned to read, and have since led me to working in a library. My dad, who passed in 2017, was my greatest supporter in my love of books and his memory surrounds everything I do. He encouraged hard work and pride in that work, as well as strong passion and love for what you do. 
3. What do you hope viewers notice or feel?  I hope they feel inspired to read a book and visit a library!</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="204662">
                <text>2026-07-09</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="204980">
                <text>image/jpeg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text> Buffalo and &amp; Erie County Public Library (Publisher of Digital)</text>
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  <item itemId="17786" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>We the People: Commemorating 250 Years of the Declaration of Independence</text>
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              <name>Alternative Title</name>
              <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                  <text>Semicenquintennial exhibit</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="203785">
                  <text>&lt;p&gt;As we mark 250 years since the signing of the &lt;em&gt;Declaration of Independence&lt;/em&gt;, this exhibit considers our region and our nation as a &lt;em&gt;quilt of democracy &lt;/em&gt;— consisting of many communities, histories, and identities joined and shaped by many hands.&lt;/p&gt;</text>
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                  <text>Grosvenor Room of B&amp;amp;ECPL (repository)/Rare Book Room of B&amp;amp;ECPL (repository)</text>
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              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="203788">
                  <text>Digital image copyright 2026 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="203789">
                  <text>Collection, Dataset, Event, Image, Interactive Resource, Moving Image, Physica l Object, Service, Software, Sound, Still Image, Text&#13;
&#13;
</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="203790">
                  <text>eng</text>
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              <name>Coverage</name>
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                <elementText elementTextId="203791">
                  <text>1757-2026</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Grosvenor Room Collections</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>RBR U.S.1848.s36</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Constitution of the Seneca Nation of Indians</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Seneca Nation of New York</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="203946">
                <text>The creation of the 1848 Seneca Constitution was born from a crisis of survival. It was triggered by decades of aggressive land theft by the U.S. federal government, the Ogden Land Company, and internal political instability that forced a revolutionary change in tribal government. Not all members of the Seneca Nation adopted this Constitution, however. The Tonawanda Seneca Nation maintains the traditional hereditary chief structure to the present.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1848</text>
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                <text>Seneca</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="203949">
                <text>William Wooddy &amp; son</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text</text>
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            <name>Language</name>
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              <elementText elementTextId="203951">
                <text>eng</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>	Grosvenor Room of B&amp;ECPL (repository)/Rare Book Room of B&amp;ECPL (repository)</text>
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  <item itemId="1089" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>World War I Posters Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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      <name>Still Image</name>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>41 x 27.75 in.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="17861">
                <text>Poster Number: 378</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17862">
                <text>They fight for you. Protect them</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="17863">
                <text>Sesser, W. G.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="17864">
                <text>[Belgian &amp; Allies Aid League]</text>
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              <elementText elementTextId="17865">
                <text>Latham Litho &amp; Ptg. Co. : Brooklyn (Printer)</text>
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                <text>[1917-1918]</text>
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            <description>The nature or genre of the resource</description>
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                <text>Still image</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>World War I Posters Collection</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="17873">
                <text>Digital Collections of the B&amp;ECPL</text>
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            <name>Coverage</name>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <elementTextContainer>
              <elementText elementTextId="35558">
                <text>Digital image copyright 2023 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Shakespeare, William, 1564-1616--Bibliography--Folios. 1623.</text>
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                <text>&lt;em&gt;Mr. William Shakespeares Comedies, Histories &amp;amp; Tragedies, &lt;/em&gt;published seven years after the bard's death, compiles 36 plays written by William Shakespeare. Named the "First Folio" by scholars, it is the first collection of Shakespeare's work printed, and contained 18 previously unpublished works--&lt;em&gt;The Tempest&lt;/em&gt;, &lt;em&gt;Macbeth&lt;/em&gt;, and &lt;em&gt;Twelfth Night&lt;/em&gt; among them. &lt;br /&gt;&lt;br /&gt;Assembled by John Heminges and Henry Condell, and published by Edward Blount and William and Isaac Jaggard, the First Folio was presented by the publishers as the first authentic reproduction of Shakespeare's plays (some of which had been previously printed under dubious circumstances). Additionally, the Martin Droeshout-produced portrait in the Folio would be considered one of the few reliable images of Shakespeare, as it was approved by those who worked with him during his life. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;In 1919, NYC book dealer Gabriel Wells purchased a copy of the First Folio on behalf of Colonel Charles Clifton, president of the Pierce Arrow Company.  The copy, though imperfect, was described in the seller’s catalog as “probably” belonging to Samuel Gilburne, one of the actor’s in Shakespeare’s company.  The basis for this claim is rather flimsy, Gilburne’s name is written next to where his name is printed in the list of “Principall Actors”.  The original catalog price was $3,000.00.  Henry Clay Folger (Folger Library in DC) ordered the copy only to discover it had already been sold.  Folger offered to pay the buyer $6,000.00; Clifton refused indicating that he wanted to own a First Folio.  Eventually Folger and Clifton arranged a swap, whereby Folger got the purported Gilburne copy and Clifton received a more-perfect copy. Folger paid Clifton $6500 for the Gilburne copy and Clifton purchased a more complete, finer copy, which sold at auction for $8,800.00.  In 1926, Colonel Clifton donated this copy of the First Folio, along with the Second, Third, Fourth Folios, and the Poems to the Grosvenor Library. In 1953, the Grosvenor Library was incorporated into the newly-formed Buffalo &amp;amp; Erie County Public Library, and in 1964 the collection would be relocated to the newly-constructed Rare Book Room at the Central Library. &lt;/span&gt;</text>
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                <text>"Hey Fellows!"</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19095">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Rivets are Bayonets. Drive them home!</text>
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              <elementText elementTextId="19573">
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                  <text>"We the People" Community Quilt Project</text>
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
&#13;
This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
&#13;
Residents of Western New York were invited to make and submit a 9 inch by 9 inch fabric square (sewn or constructed using glue) responding to the question “Who are ‘we the people?’” A quilt of these unique fabric squares was be sewn together in August 2026. &#13;
&#13;
If you have questions regarding a specific quilt square in this collection or one that you were responsible for creating, please contact the Grosvenor Room at grosvenorref@buffalolib.org. </text>
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                <text>Sigeti, Charley</text>
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                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
1. What does your square represent? Love
2. Why did you choose these symbols? because I like them 
3. What do you hope viewers notice or feel?  they'll feel happy</text>
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                <text> Buffalo and &amp; Erie County Public Library (Publisher of Digital)</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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                <text>Poster Number: 204</text>
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                <text>The call of the open</text>
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                <text>Simmons</text>
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                <text>[J. W. Ltd.] (Printer)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
&#13;
This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
&#13;
Residents of Western New York were invited to make and submit a 9 inch by 9 inch fabric square (sewn or constructed using glue) responding to the question “Who are ‘we the people?’” A quilt of these unique fabric squares was be sewn together in August 2026. &#13;
&#13;
If you have questions regarding a specific quilt square in this collection or one that you were responsible for creating, please contact the Grosvenor Room at grosvenorref@buffalolib.org. </text>
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                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
1. What does your square represent? The square represents the Great Prismatic Lake in Yellowstone National Park. I used various felts and cotton materials to create the layered colors. 
2. Why did you choose these symbols? I chose this scene because I went to Yellowstone for the first time this spring. It was awesome to see the legacy of our country's national park system. 
3. What do you hope viewers notice or feel?  I hope viewers can recognize Great Prismatic Lake and think about the vastness of our country.</text>
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
&#13;
This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
&#13;
Residents of Western New York were invited to make and submit a 9 inch by 9 inch fabric square (sewn or constructed using glue) responding to the question “Who are ‘we the people?’” A quilt of these unique fabric squares was be sewn together in August 2026. &#13;
&#13;
If you have questions regarding a specific quilt square in this collection or one that you were responsible for creating, please contact the Grosvenor Room at grosvenorref@buffalolib.org. </text>
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                <text>The "bomb pop"</text>
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                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
1. What does your square represent? I choose fabric and felt to create a bomb pop. This represents America by the colors red, white, and blue. 
2. Why did you choose these symbols? This reminds me of a hot day when I want a nice cold treat and I can get this out of my freezer and enjoy it. 
3. What do you hope viewers notice or feel?  I hope viewers notice my image represents America!</text>
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
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This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
&#13;
Residents of Western New York were invited to make and submit a 9 inch by 9 inch fabric square (sewn or constructed using glue) responding to the question “Who are ‘we the people?’” A quilt of these unique fabric squares was be sewn together in August 2026. &#13;
&#13;
If you have questions regarding a specific quilt square in this collection or one that you were responsible for creating, please contact the Grosvenor Room at grosvenorref@buffalolib.org. </text>
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                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
1. What does your square represent? My square represents how I felt looking at the Statue of Liberty for the first time. I used dark colors to show that it is nightime, and felt to give the square a softer look. 
2. Why did you choose these symbols? I chose the Statue of Liberty because the first time I saw it from a ferry, I felt a sense of calm and safety. 
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                  <text>Quilts embody a history of reuse and resourcefulness, of community relationships and care. They also invite collaboration, combining individual perspectives, skills, and stories into a diverse whole.&#13;
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This project was part of activities happening across Erie County throughout 2026 to celebrate 250 years since the signing of the Declaration of Independence. With its proximity to the vital resource of the Great Lakes, the region we call Western New York has long been home to vibrant and diverse communities, both before and after the pivotal events of this country’s founding. This quilt project aimed to visually reflect the unique cultural and familial histories of communities in this region throughout its history. &#13;
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                <text>Participants of the We the People Community Quilt project were asked to answer a number of questions regarding their quilt square. 
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2. Why did you choose these symbols? I &lt;3 the city + the sun + nature 
3. What do you hope viewers notice or feel?  Happy &amp; prideful.</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>We the People: Commemorating 250 Years of the Declaration of Independence</text>
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                  <text>&lt;p&gt;As we mark 250 years since the signing of the &lt;em&gt;Declaration of Independence&lt;/em&gt;, this exhibit considers our region and our nation as a &lt;em&gt;quilt of democracy &lt;/em&gt;— consisting of many communities, histories, and identities joined and shaped by many hands.&lt;/p&gt;</text>
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                  <text>Digital image copyright 2026 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Matters of life and death : a handbook for patriots dealing with the issues on which America will rise or fall</text>
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                <text>Smith, Gerald L. K. (Gerald Lyman Kenneth), 1898-1976.</text>
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                <text>This anti-communist handbook authored by the founder of the Christian Nationalist Crusade captures the mid-century conservative movement's fears surrounding Jewish people in positions of power, interraciality, Black American contributions to American culture, and immigration.</text>
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                <text>[The Christian Nationalist Crusade]</text>
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&#13;
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            <description>A name given to the resource</description>
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                <text>Join the Regular Army</text>
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                <text>[G. P. Ltd.] (Printer)</text>
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            <name>Title</name>
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                <text>Join the Territorial Army</text>
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                <text>Ministere des finances</text>
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                <text>Charles &amp; Read Ltd. : London (Printer)</text>
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            <name>Source</name>
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              <elementText elementTextId="15865">
                <text>World War I Posters Collection</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15869">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>A language of the resource</description>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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This sheet music collection is presented as originally created. Several cover images and lyrics contain instances of racism and cultural stereotyping.&#13;
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                <text>Invincible Eagle March</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Pan-American Exposition--(1901:Buffalo, N.Y.) --Songs and music</text>
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                <text>Digital collection copyright 2021 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                <text>Soutry, V.</text>
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              <elementText elementTextId="21014">
                <text>Roberts &amp; Leete Ltd. : London (Printer)</text>
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            <description>A name given to the resource</description>
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                <text>Photographic postcard of the Skyway from ground level in Buffalo N.Y., with a view of grain silos in the background.</text>
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                <text>photographic postcards</text>
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            <name>Identifier</name>
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                <text>RBRPC-Buf-127</text>
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            <description>A name given to the resource</description>
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                <text>Lafayette Presbyterian Church, Buffalo, N.Y.</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>1460- Lafayette Presbyterian Church, Buffalo, N.Y.</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>An account of the resource</description>
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                <text>Photographic postcard of the Lafayette Presbyterian Church in Buffalo, N.Y.</text>
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            <description>The topic of the resource</description>
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                <text>Religious organizations--United States.</text>
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                <text>Church buildings--New York (State)--Buffalo.</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Rare Book Room Postcard Collection</text>
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            <name>Publisher</name>
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                <text>Souvenir Post Card Co. (publisher of orginal)</text>
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                <text>Buffalo and &amp; Erie County Public Library (Publisher of Digital)</text>
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            <description>The nature or genre of the resource</description>
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            <description>The material or physical carrier of the resource.</description>
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                <text>photographic postcards</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="202610">
                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Postcards from the Rare Book Room's collection. Primarily picture and photographic postcards of Buffalo &amp; Erie County locations, with a variety of publishers and production methods. </text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Birds-eye View from Ellicott Square, Buffalo, N.Y.</text>
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                <text>1461-- Birds-eye View from Ellicott Square, Buffalo, N.Y.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Souvenir Post Card Co., New York and Berlin</text>
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            <description>An account of the resource</description>
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                <text>Picture postcard of Ellicott Square from and elavated viewpoint, with a focus on the Erie County Bank. The card is made out to Mr. Wm [illegible] White.</text>
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            <description>The topic of the resource</description>
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                <text>Buffalo (N.Y.)--Buildings, structures, etc.</text>
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                <text>Banks and banking--New York (State)--Buffalo.</text>
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                <text>Erie County Savings Bank (Buffalo, N.Y.)--History.</text>
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                <text>Souvenir Post Card Company</text>
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            <name>Publisher</name>
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                <text>Souvenir Post Card Company (Publisher of Orginal)</text>
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                <text>Buffalo and &amp; Erie County Public Library (Publisher of Digital)</text>
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                <text>picture postcards</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="202675">
                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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              <description>An account of the resource</description>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Poster Number: 678</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="21957">
                <text>The Hun - his Mark. Blot it out with Liberty Bonds</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21958">
                <text>St. John, J. Allen</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="21959">
                <text>[United States Army]</text>
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              <elementText elementTextId="21960">
                <text>Manz Engraving Co. : Chicago (Printer)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="21961">
                <text>1917</text>
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            <description>The nature or genre of the resource</description>
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                <text>Still image</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="21965">
                <text>image/jpeg</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="21966">
                <text>World War I Posters Collection</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Digital Collections of the B&amp;ECPL</text>
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            <name>Coverage</name>
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                <text>Early Twentieth Century (1900-1925)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21970">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Contributor</name>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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          <name>Physical Dimensions</name>
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            <description>An account of the resource</description>
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                <text>Poster Number: 717</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hand it to 'em</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>St. John, J. Allen</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22499">
                <text>Illinois Lithograph Co. : Chicago (Printer)</text>
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            <name>Date</name>
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                <text>[1917-1918]</text>
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            <description>The nature or genre of the resource</description>
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            <name>Format</name>
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              <elementText elementTextId="22504">
                <text>image/jpeg</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="22505">
                <text>World War I Posters Collection</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Digital Collections of the B&amp;ECPL</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Early Twentieth Century (1900-1925)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22509">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="36202">
                <text>eng</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="203783">
                  <text>We the People: Commemorating 250 Years of the Declaration of Independence</text>
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              <name>Alternative Title</name>
              <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <elementText elementTextId="203784">
                  <text>Semicenquintennial exhibit</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="203785">
                  <text>&lt;p&gt;As we mark 250 years since the signing of the &lt;em&gt;Declaration of Independence&lt;/em&gt;, this exhibit considers our region and our nation as a &lt;em&gt;quilt of democracy &lt;/em&gt;— consisting of many communities, histories, and identities joined and shaped by many hands.&lt;/p&gt;</text>
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              </elementTextContainer>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Grosvenor Room of B&amp;amp;ECPL (repository)/Rare Book Room of B&amp;amp;ECPL (repository)</text>
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              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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                <elementText elementTextId="203787">
                  <text>2026</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="203788">
                  <text>Digital image copyright 2026 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="203789">
                  <text>Collection, Dataset, Event, Image, Interactive Resource, Moving Image, Physica l Object, Service, Software, Sound, Still Image, Text&#13;
&#13;
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="203790">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="203791">
                  <text>1757-2026</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="204270">
                  <text>Grosvenor Room Collections</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204201">
                <text>St. Mary's School for the Deaf  Quilt Square</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204202">
                <text>St. Mary's School for the Deaf</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204203">
                <text>This quilt square represents St. Mary's School for the Deaf and our community, reflected through Bosco the Bison, our school mascot. Bosco wears a cochlear implant and hearing aid, like some of the students in our community, and signs "Pride" to show pride in Deaf identity, culture, and heritage. The design celebrates our students, shared experiences, and the strength found in the Deaf community.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="204204">
                <text>2026</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204205">
                <text>St. Mary's School for the Deaf</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="204206">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="204276">
                <text>https://www.smsdk12.org&#13;
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  <item itemId="15" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="3">
                  <text>Ann Montgomery's Little Harlem</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="401">
                  <text>The Little Harlem Club/Hotel on Michigan Avenue in Buffalo was owned and operated by Ann Montgomery from the 1930s through early 1960s, during which time Count Basie, Louis Armstrong, Billie Holiday and others performed. While this club coexisted with the Colored Musicians Club and other clubs like it in its time period, Ann Montgomery was the distinguishing factor. Montgomery’s style and business sense and the fact that she was an African-American businesswoman were the rare combination then that made her and the Little Harlem unique.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jimmie Lunceford [James Melvin Lunceford] and his Orchestra</text>
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            <name>Creator</name>
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                <text>Standard Photo Service (Philadelphia, PA) (Photographer)</text>
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            <name>Subject</name>
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                <text>Jimmie Lunceford</text>
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                <text>Jimmie Lunceford Orchestra</text>
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                <text>African American musicians </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="219">
                <text>Jimmie Lunceford [James Melvin Lunceford] and his Orchestra. Thirteen piece band. Taken by Standard Photo Service, Phila, PA. [order not yet determined] Front row, left to right: [trumpets] Sy Oliver, Eddie Tompkins, Thomas Stevenson; [piano] Edward Wilcox; [sax, standing] Jimmie; [reeds] William Smith [Willie] [alto sax], Joe Thomas, Earl Carruthers. Back row, left to right: [trombones] Russell Bowles, Henry Willis; [drums] James Crawford; [guitar] Al Norris; [bass] Mose Allen. Rare Book Room owns 3 copies of this photograph: one unsigned, one signed ""To Lena Bell from 'Jimmie'" (Lena Bell Thomas worked in the Check Room, according to the 14th Anniversary Program), and one signed "To Humphrey from Jimmie."</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="226">
                <text>Buffalo &amp; Erie County Public Library (Publisher of digital)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930-1939</text>
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            <description>The nature or genre of the resource</description>
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                <text>Still image</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="230">
                <text>image/jpeg</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="231">
                <text>Ann Montgomery's Little Harlem</text>
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            <description>A related resource</description>
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                <text>Digital Collections of the B&amp;ECPL</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="929">
                <text>Digital collection copyright 2016 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
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                <text>Barrie, J. M. (James Matthew), 1860-1937</text>
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                <text>Maude Adams was one of the most popular and successful actresses of early 20th century theater. She starred in plays by J.M. Barrie, including Peter Pan and The Little Minister.&lt;br /&gt;&lt;br /&gt;Buffalo's Star Theatre (W. Genesee and Pearl Streets) was a vibrant theatre venue from 1888 to 1919.&lt;br /&gt;&lt;br /&gt;The original owner of this program was clearly a fan of Maude Adams, as they clipped magazine photos of her and pasted them inside.</text>
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                <text>Digital image copyright 2019 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
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&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;</text>
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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
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&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
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                <text>Bonstelle Company</text>
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                <text>Laura Justine "Jessie" Bonstelle was an actress, theater director, and drama company manager. She managed stock companies at the Star Theater in Buffalo, and later founded her own theater in Detroit.</text>
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                <text>Digital image copyright 2019 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
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                <text>[Sarah Bernhardt, Repertoire]</text>
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                <text>From the Theatre to the Field of Honor</text>
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                <text>French actress Sarah Bernhardt, “The World’s Greatest Artiste” performed the &lt;em&gt;Death of Cleopatra&lt;/em&gt; and other tragic scenes.&lt;br /&gt;&lt;br /&gt;The original owner of this program was very moved by Bernhardt's performance and noted “She’s wonderful—But she tears one to pieces. I wasn’t fit to be seen for a week after.”</text>
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                <text>Buffalo Theater and Music Program Collection</text>
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                <text>Theater programs -- New York (State) -- Buffalo.</text>
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                <text>Star Theatre (Buffalo, N.Y.)</text>
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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</text>
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                <text>Maurice Ravel</text>
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                <text>Statler Hotel (Buffalo, N.Y.)</text>
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                <text>Ravel, Maurice, 1875-1937</text>
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                <text>Torpadie, Greta</text>
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                <text>Buffalo Musical Foundation</text>
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                <text>De Forest, Marian, 1864-1935</text>
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                <text>The Statler Hotel Ballroom hosted many musical performers, including French composer and conductor Maurice Ravel. &lt;br /&gt;&lt;br /&gt;Buffalo Morning Express drama critic and playwright Marian de Forest managed the Buffalo Musical Foundation and presented this concert.</text>
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                <text>Buffalo &amp; Erie County Public Library (Publisher of digital)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30583">
                <text>Digital image copyright 2019 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Concert programs -- New York (State) -- Buffalo.</text>
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              <description>An account of the resource</description>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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                <text>Poster Number: 381</text>
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            <description>A name given to the resource</description>
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                <text>En Belgique les Belges ont faim</text>
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                <text>Steinlen, Théophile Alexandre</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>I. Lapina : Paris (Printer)</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17917">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Sur la terre ennemie les prisonniers russes meurent de faim</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>H. Chachoin : Paris (Printer)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24153">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22682">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22683">
                <text>World War I Posters Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="22685">
                <text>Digital Collections of the B&amp;ECPL</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="22686">
                <text>Early Twentieth Century (1900-1925)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22687">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25735">
                <text>Bring sunshine to this boy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36211">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37383">
                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
