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              <description>A name given to the resource</description>
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                  <text>Ann Montgomery's Little Harlem</text>
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                  <text>The Little Harlem Club/Hotel on Michigan Avenue in Buffalo was owned and operated by Ann Montgomery from the 1930s through early 1960s, during which time Count Basie, Louis Armstrong, Billie Holiday and others performed. While this club coexisted with the Colored Musicians Club and other clubs like it in its time period, Ann Montgomery was the distinguishing factor. Montgomery’s style and business sense and the fact that she was an African-American businesswoman were the rare combination then that made her and the Little Harlem unique.</text>
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                <text>Little Harlem professional performance shot</text>
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                <text>J.N. Erhart (Photographer)</text>
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                <text>Little Harlem Band</text>
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                <text>Women dancers</text>
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                <text>African American dancers</text>
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                <text>Professional performance shot. Seven female dancers (one nude, coming out of a box), one male dancer holding a bulldog. Seven piece band. Front Row: Abdeen Ali, Ravida [possibly].  Middle Row: Six Little Harlem Club dancers; Gladdess (first dancer from the right). Back Row: Jimmie Perkins and His New  Yorkers. Buster Harding (?), Marvin Gill, Lee Hilliard, saxophone; Henry Clay, trumpet; Eugene Adams, piano; Wendel Arter, bass; Jimmie Perkins, drums. Taken by J. N. Erhart, Commercial Photographer.</text>
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                <text>Buffalo &amp; Erie County Public Library (Publisher of digital)</text>
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            <name>Date</name>
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                <text>1930-1939</text>
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                <text>Ann Montgomery's Little Harlem</text>
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                <text>Digital Collections of the B&amp;ECPL</text>
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                <text>Digital collection copyright 2016 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Mid-Twentieth Century (1925-1975)</text>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                  <text>This collection of long-form reports by retired WIVB-TV Senior Correspondent Rich Newberg covers a wide range of social issues, Buffalo history and the arts. Mr. Newberg retired from the Buffalo CBS network affiliate at the end of 2015, after serving the station for thirty-seven years in various roles including main anchor, reporter and documentarian. &lt;br /&gt;&lt;br /&gt;His New York Emmy Award winning pieces explore the abortion debate, care of the mentally ill, the African American struggle for civil rights, and the lessons of the Holocaust, among many topics. His video memoir, “One Reporter’s Journey, “ reflects on his forty-six year career, beginning as an advocate for those without a voice. &lt;br /&gt;&lt;br /&gt;"My hope," says Newberg, “is that this collection will provide a lasting chronicle of life and issues in Buffalo during the latter part of the 20th century and into the new millennium."</text>
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                <text>Mother Teresa At Niagara University</text>
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                <text>On May 30, 1982, Mother Teresa of Calcutta delivered a message of love and support for the poor and the sick to graduates of Niagara University. She was granted an honorary doctorate before speaking to the graduating class. Thousands of people attended the graduation ceremonies conducted at the Niagara Falls Convention and Civic Center.&#13;
&#13;
In this WIVB-TV piece by reporter Emil Jablonski, Mother Teresa says, "The poor are a gift of God to us. They are great people. They are really lovable people." She said no one should ever feel unwanted. &#13;
&#13;
At a news conference she decried the fact that there are children dying of hunger while superpowers pour money into the arms race. She also spoke out against abortion. &#13;
&#13;
In a surprise introduction, Mother Teresa met Elizabeth Collins, a child adopted from her Calcutta mission. Elizabeth, now living in Tonawanda, got a warm embrace and told Mother Teresa she loved her. Her wish was that the founder of Missionaries of Charity could live forever. &#13;
&#13;
Thirty four years after her visit to Niagara University, Mother Teresa was canonized by the Catholic Church. On September 4, 2016, nineteen years after her death, she became known as Saint Teresa of Calcutta.</text>
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                <text>Teresa, Mother, Saint, 1910-1997</text>
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                <text>Buffalo &amp; Erie County Public Library (publisher of digital)</text>
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                <text>WIVB (Television Station : Buffalo, N.Y.)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright held by WIVB-TV. Access to this digital version provided by the Buffalo &amp; Erie County Public Library. Videos or images in this collection are not to be used for any commercial purposes without the expressed written permission of WIVB-TV and the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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                <text>Poster Number: 1508</text>
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                <text>The Navy needs you! Don't read American history- Make it! U.S. Navy Recruiting Station.</text>
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                <text>James Montgomery Flagg</text>
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                <text>[United States. Navy]</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>I want you for U.S. Army. Nearest recruiting station.</text>
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                <text>On les aura!</text>
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                <text>Jeammoi</text>
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              <elementText elementTextId="17903">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Digital collection copyright 2021 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Digital image copyright 2023 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>&lt;em&gt;Spilling Grain &lt;/em&gt;is an oral history project created by Kate Kaye, Buffalo native and journalist, to chronicle the grain industry in Buffalo, as well as those who worked in it and its cultural impact. The project was begun in 2019, and is currently hosted on Kaye's website at &lt;a href="https://redtailmedia.org/spilling-grain/"&gt;redtailmedia.org&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Kaye graciously donated a copy of the complete project for permanent preservation and inclusion in the B&amp;amp;ECPL Digital Collections in 2023.&lt;br /&gt;&lt;br /&gt;The collection includes photographs taken by Kaye in 2019 and 2020, as well as edited oral history recordings from grain industry and mill workers, scholars, and musicians.</text>
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                <text>&lt;em&gt;"My father said, ‘Here’s a bottle of whiskey. Go tell that guy I need about a three-second spill.'" &lt;/em&gt;&lt;br /&gt;&lt;br /&gt;With a dad nicknamed Fearless Freddie who worked in and around the grain elevators throughout his life, Joel and Bruce Carter were indoctrinated into Buffalo's grain culture as kids. They both went on to work in the flour mill themselves, but an industrial accident in the mill sidelined their father and put an end to the family's flour milling days. Bruce Carter and his brother Joel were interviewed in early 2020 by Kate Kaye. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTE:&lt;/em&gt; This story involves graphic injury descriptions and features detailed descriptions of flour mill jobs and equipment including the “man-lift.”</text>
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                <text>©2022 Kate Kaye</text>
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                  <text>&lt;em&gt;Spilling Grain &lt;/em&gt;is an oral history project created by Kate Kaye, Buffalo native and journalist, to chronicle the grain industry in Buffalo, as well as those who worked in it and its cultural impact. The project was begun in 2019, and is currently hosted on Kaye's website at &lt;a href="https://redtailmedia.org/spilling-grain/"&gt;redtailmedia.org&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Kaye graciously donated a copy of the complete project for permanent preservation and inclusion in the B&amp;amp;ECPL Digital Collections in 2023.&lt;br /&gt;&lt;br /&gt;The collection includes photographs taken by Kaye in 2019 and 2020, as well as edited oral history recordings from grain industry and mill workers, scholars, and musicians.</text>
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                <text>&lt;p&gt;&lt;em&gt;&lt;span&gt;“When we were kids we’d go to Concrete Central&lt;/span&gt;&lt;/em&gt;&lt;span&gt; &lt;em&gt;– just fields over there, old railroad tracks. And we'd hang out."&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Some of Buffalo’s grain elevators had already shuttered by the time Pat Needham was a kid, but he worked hauling and scooping grain for decades in Buffalo and around the Great Lakes. A tragic accident down in the hold of a grain ship put an end to his working life. Pat didn’t have to tell us what it was like getting pulled out from a ship hold without being able to feel his legs, but he did. Needham was interviewed in early 2020 by Kate Kaye.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTE: &lt;/em&gt;This story involves graphic injury descriptions, as well as descriptions of scooping gangs and scooping work and equipment.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;em&gt;Spilling Grain &lt;/em&gt;is an oral history project created by Kate Kaye, Buffalo native and journalist, to chronicle the grain industry in Buffalo, as well as those who worked in it and its cultural impact. The project was begun in 2019, and is currently hosted on Kaye's website at &lt;a href="https://redtailmedia.org/spilling-grain/"&gt;redtailmedia.org&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Kaye graciously donated a copy of the complete project for permanent preservation and inclusion in the B&amp;amp;ECPL Digital Collections in 2023.&lt;br /&gt;&lt;br /&gt;The collection includes photographs taken by Kaye in 2019 and 2020, as well as edited oral history recordings from grain industry and mill workers, scholars, and musicians.</text>
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                <text>&lt;p&gt;&lt;em&gt;&lt;span&gt;“They are so out of scale to anything that you see in your life that they are like a distant landscape right in front of you all the time.” &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;More than a grain elevator enthusiast, Lynda Schneekloth is a scholar of these giant concrete and steel structures. On a frigid and windy Buffalo day in February 2020, she braved the cold to point out their inner-workings, why they were built the way they were, why they’re considered architectural wonders – and why so many of us are intrigued by them. Schneekloth was interviewed in February 2020 by Kate Kaye.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTE: &lt;/em&gt;This story features detailed descriptions of Buffalo’s grain elevator architecture, Buffalo’s grain elevator and cultural preservation, internal grain elevator machinery and processes.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>©2022 Kate Kaye</text>
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                <text>&lt;a href="https://redtailmedia.org/spilling-grain/"&gt;https://redtailmedia.org/spilling-grain/&lt;/a&gt;</text>
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                  <text>&lt;em&gt;Spilling Grain &lt;/em&gt;is an oral history project created by Kate Kaye, Buffalo native and journalist, to chronicle the grain industry in Buffalo, as well as those who worked in it and its cultural impact. The project was begun in 2019, and is currently hosted on Kaye's website at &lt;a href="https://redtailmedia.org/spilling-grain/"&gt;redtailmedia.org&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Kaye graciously donated a copy of the complete project for permanent preservation and inclusion in the B&amp;amp;ECPL Digital Collections in 2023.&lt;br /&gt;&lt;br /&gt;The collection includes photographs taken by Kaye in 2019 and 2020, as well as edited oral history recordings from grain industry and mill workers, scholars, and musicians.</text>
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                <text>&lt;p&gt;&lt;em&gt;&lt;span&gt;"The scoopers were at the whim of everybody."&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
A railroad man at age 17 who would soon become the “boss” of a grain scooping “gang” in 1962, Jack Driscol toiled on Buffalo’s waterfront his whole working life. Jack shared memories of scooping grain deep down in the hold of a ship, of working with equipment that stayed the same since his dad's time as a scooper, and about what being the boss of a scooping gang was really like. Driscol was interviewed in early 2020 by Kate Kaye.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTE:&lt;/em&gt; This story features detailed descriptions of scooping gangs and scooping work and equipment, grain elevator and railroad operations and related work.</text>
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                <text>Former Buffalo grain scoopers pictured from left: Sam Kolodziej, Jack Driscol, Pat Needham, photo taken at Waterfront Memories and More Museum, 41 Hamburg St, Buffalo, NY, photo by Kate Kaye, December 2019</text>
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