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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</text>
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                  <text>Theater programs -- New York (State) -- Buffalo.</text>
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                  <text>Concert programs -- New York (State) -- Buffalo.</text>
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                <text>Macbeth</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Shakespeare, William, 1564-1616</text>
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                <text>Modjeska, Helena, 1840-1909</text>
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                <text>Pratt, Lynn</text>
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                <text>Lonergan, Lester, 1869-1931</text>
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                <text>Fielding, Marguerite</text>
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                <text>Fisher, John C., approximately 1854-1921</text>
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            <description>An account of the resource</description>
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                <text>Helena Modjeska was an acclaimed Polish-born actress known for her Shakespearean roles. &#13;
&#13;
Buffalo's Star Theatre (W. Genesee and Pearl Streets) was a vibrant theatre venue from 1888 to 1919.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Digital image copyright 2019 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Buffalo Theater and Music Program Collection</text>
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                <text>Theater programs -- New York (State) -- Buffalo.</text>
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                <text>Late Nineteenth Century (1850-1900)</text>
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                  <text>World War I Posters Collection</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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              <text>27 x 20.25 in.</text>
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                <text>Poster Number: 748</text>
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            <description>A name given to the resource</description>
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                <text>MAHИЖECTZ BCЯ BЛACTB  ПOMЪЩИKAMZ!!!</text>
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                <text>[1914-1918]</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>World War I Posters Collection</text>
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                <text>Digital Collections of the B&amp;ECPL</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="22924">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                  <text>Postcards from the Rare Book Room's collection. Primarily picture and photographic postcards of Buffalo &amp; Erie County locations, with a variety of publishers and production methods. </text>
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                <text>RBRPC-Buf-108</text>
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            <description>A name given to the resource</description>
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                <text>Main St., Entrance Forest Lawn Cemetery, Buffalo, N.Y.</text>
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                <text>Photographic postcard of the Main Street enterance to Forest Lawn Cemetery. With a large advertisement for J. Bianchi &amp; Son, creators of the monument at the entrance.</text>
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                <text>Photographic postcards.</text>
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                <text>Make your money work too -- Buy War Savings Certificates. Your money will grow and secure your comfort in the future. £1 for 15/6.</text>
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                <text>&lt;strong&gt;Interview One&lt;/strong&gt;&lt;br /&gt;Manny Fried turns 80 and reflects on his life and the struggles he endured after being blacklisted from 1956 to 1972 for his political beliefs. He says that growing up as one of nine children, “We were taught to be honest and stick up for your rights.” In his books and plays he writes about relationships inside the labor movement. “I tried hard to be a voice for the American worker,” he tells Rich Newberg.&lt;br /&gt;&lt;br /&gt;He talks about refusing to answer any questions by the House Un-American Activities Committee, and about receiving support from Albert Einstein. Fried says the committee did not have a constitutional right to exist. He says he has no regrets, even though his life has been tough. He says, “I’ve tried to embody my experience in plays I write and the novels I write.”&lt;br /&gt;&lt;br /&gt;The interview is conducted at the Alleyway Theater before scenes are rehearsed for his play “Big Ben Hood.” Fried says the underlying theme is, “The need to be true to yourself, the need to have integrity, and the need to make a choice and not try to stand on the fence.”&lt;br /&gt;&lt;br /&gt;When the interview ends, the actors on stage celebrate Manny Fried's birthday, surprising him with a song and a cake. He joins them on stage and blows out the candles with one breath. The actors, including Jim Santella, pay tribute to Fried, pointing out his honesty and integrity.&lt;br /&gt;March 1, 1993&lt;br /&gt;Interview Runs: 12:36&lt;br /&gt;21:18 including b-roll&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interview Two&lt;/strong&gt;&lt;br /&gt;In 1994 Manny Fried is interviewed by Rich Newberg at home, where he discusses his lawsuit against the FBI and the price he paid for being labeled “the most dangerous man in Western New York.”&lt;br /&gt;&lt;br /&gt;At age 81, he discusses the lawsuit he filed against the FBI based on testimony he learned two years earlier from a former FBI worker. He says the woman told him that the FBI set up 25 agents to follow him around the clock, bug his conversations, read his mail and work toward getting him indicted.&lt;br /&gt;&lt;br /&gt;Fried says the most important goal of his lawsuit is to “have them admit what they did... and to make amends and so it’s not easy for them to do it again.” He says former FBI director J. Edgar Hoover, through his agents, damaged his marriage and convinced neighbors not to allow their children to play with his children. Fried says the agents assigned to his case also convinced friends of his wife Rhoda, who came from an upper class Buffalo family, to stop socializing with her. He says they went to her friends’ employers or clients and pressured them to stay away from the Fried family.&lt;br /&gt;&lt;br /&gt;Rhoda’s family owned the upscale Park Lane Restaurant and apartment building on Gates Circle in Buffalo. She had been a part owner but was barred from entering the restaurant according to Fried, after a priest called for a boycott of the establishment.&lt;br /&gt;Fried blames the actions of government agents for breaking his wife’s spirit and believes they were probably responsible for her death. He says she had become an alcoholic and a heavy smoker and eventually had a stroke.&lt;br /&gt;&lt;br /&gt;He says he has no regrets having been a member of the Communist Party in Western New York, whose goals locally he says were to “better the standard of living, the wages and the working conditions of the people here.” But he adds, “The only sense of guilt I have about this whole thing is what my wife and kids went through and the part I played in sticking up for these ideals.” He says, “They went through hell on account of it and that bothers me yet!”&lt;br /&gt;&lt;br /&gt;The number one hope expresses at age 81 is that “working people are able to get decent jobs and don’t have to worry where their bread’s coming from.” He adds, “I want people to have enough to eat. I want them to have decent homes. I want them to get along. That’s what I want.”&lt;br /&gt;&lt;br /&gt;[June 9, 1994] &lt;br /&gt;[Interview Runs: 31:01] &lt;br /&gt;[32:58 including b-roll]</text>
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                <text>When Manny Fried was blacklisted during the McCarthy era in the 1950s, he says the union rank and file he represented as an organizer stood by him. He said he never lost hope in the American people because of that support. He was being investigated for his association with the Communist Party.&#13;
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His refusal to answer questions from the House Un-American Activities Committee earned the respect of Albert Einstein, who sent him a note on April 16, 1954 saying, “You did the right thing and fulfilled your duty as a citizen.”&#13;
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After finding it impossible to find work in the US, Fried took a job with a Canadian company as a life insurance salesmen. He established his voice as a playwright, author, actor and teacher. He began teaching creative writing at Buffalo State College in 1972.&#13;
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Later in life he sued the FBI for emotional and financial damage, claiming he and his family were harassed and intimidated by twenty-five agents under the direction of J. Edgar Hoover. Fried’s book, “The Un-American,” retells the nightmare he and his family were made to endure.&#13;
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When Manny Fried passed away in 2011 at the age of 97, Buffalo News columnist Colin Dabkowski wrote, “He remained a guiding presence in Buffalo’s theater, literary and social activist communities and was widely regarded as the most important figure on Buffalo’s theater scene.”&#13;
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Manny Fried told his story to Rich Newberg, who produced three reports in 1993 and 1994.</text>
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                <text>Catholic Church</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194710">
                <text>Cover title.</text>
              </elementText>
              <elementText elementTextId="194711">
                <text>Obsecro te prayer, with masculine forms:  . . . [f. 20:] . . . in quibus ego sum facturus, locuturus aut cogitaturus . . . et michi famulo tuo impetres . . .  -- 4. ff. 22-38v (in vol. 1) and ff. 39-72 (in vol. 2); f. 72v blank, Hours of the Virgin, use of Rome.</text>
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              <elementText elementTextId="194712">
                <text>Contains 9 illuminations within decorative borders, and 4 illuminated initials.</text>
              </elementText>
              <elementText elementTextId="194713">
                <text>Parchment; ff. 72, bound in two volumes with the break between the two between f. 38v and f. 39, which opens lauds with a miniature of the Visitation; 155 x 105 (90 x 63) mm; after the 12 leaves of the calendar, the quires are regularly of 8 leaves, with the catchwords written vertically along the text's inner bounding line; the final gathering retains only 4 leaves.  16 long lines ruled in ink for the text; the calendar in 17 ruled lines.  Written in a spikey gothic book hand.</text>
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                <text>Nine major miniatures, above 3 lines of text, and with slightly rounded tops; full border of acanthus and colored leaves and flowers:  f. 13 (gospel of John), John the Evangelist seated on the island of Patmos, inscribing his gospel onto a roll which reads "[I]n Pri[ncipio]," while his eagle looks on; f. 22 (matins of the Hours of the Virgin), Annunciation to the Virgin, in an elaborate Renaissance room with column and sculpted balustrade and a gold-embroidered red bedcurtain, as the Virgin turns towards the kneeling angel, and the Holy Spirit descends to her; f. 39 (lauds), Visitation showing Mary and her cousin, Elizabeth; f. 50 (prime), Nativity with the baby Jesus lying on the extended hem of the Virgin's dress, as Joseph, holding a candle (?), enters the foreground; f. 54 (terce), Annunciation to the shepherds; f. 58 (sext), Adoration of the Three Kings, one of them old, one middle-aged and one young; f. 61 (none), Presentation in the temple, as Simeon, his hands covered with a cloth, reaches out to hold the baby Jesus, with Mary holding him and Joseph waiting; f. 64 (vespers), Flight into Egypt; with Joseph leading the donkey that carries the Virgin and the baby Jesus f. 69 (compline), Coronation of the Virgin as she kneels before Jesus, enthroned, who crowns her as blue angels hover behind.</text>
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                <text>Four large miniatures, 6 lines in height.  When the miniature is on a recto:  narrow gold bar along the left border of the text, holding in place sprays of acanthus leaves and colored flowers in the upper and lower margins; when the miniature is on a verso:  a wide bar border the length of the text of acanthus leaves and colored flowers or strawberries:  f. 14v (gospel pericope of Luke), Luke, seat on a wooden chest, inscribing his gospel on a roll, as his ox reclines quietly beside him; f. 15v (gospel pericope of Matthew), Matthew holding up his pen and looking upwards to God, and his angel kneels behind him; f. 17 (gospel pericope of Mark), Mark, seated on a stool, inscribing his gospel on a roll, as his lion reclines quietly beside him; f. 18 (Obsecro te), the enthroned Virgin holding the baby Jesus.</text>
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                <text>Major initials to open each of the hours of the Virgin, 3-line height, in blue against deep red grounds, decorated in liquid gold; 2-line and 1-line initials in painted gold against deep red or blue grounds, decorated in gold; line fillers in gold-decorated bands of deep red or dark blue.  Rubrics in red. Bound in two volumes, the first of 38 leaves, the second of 34 leaves (foliated as ff. 39-72); binding is modern red morocco; each volume with the same statement of provenance lettered on the front cover:  at the top: "Manuscript Missel [sic] on Vellum of the XV Century" and at the bottom: "Presented by James Fraser Gluck to the Buffalo Library A.D. 1886."</text>
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                <text>Written in France during the second half of the 15th century; the calendar includes the feast of the Dominican, Vincent Ferrer who was canonized in 1455.  In addition, the dark colors in the backgrounds of the painted initials is typical of work done at the end of the century.  A slip from an auction catalogue is glued to the front pastedown of the first volume:  it presumably was retained here because it represents this present manuscript, although the book of hours described on the slip is said to have 164 leaves (as opposed to the present ff. 72), with "14 beautifully painted miniatures" (there are 9 in the book as it now stands); in addition, this slip labels the manuscript it describes as n. 959 in its catalogue, suggesting a very large sale; the slip is assumed to come from an auction catalogue (rather than a sales catalogue) because there is no price associated with it (and the very top of the following entry is just barely visible at the bottom of the slip).  The manuscript as it now stands, of 72 leaves, belonged to James Fraser Gluck (1852-1897); he had the book bound in its present red morocco, had the inscriptions placed on the front covers, and donated the now-two volumes (along with a large collection of materials relating to British and American authors) to the Buffalo Public Library in 1886, which is a very early date for interest in medieval manuscripts in the United States.</text>
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                <text>Calendar in red and black--V. 1, leaves [1-12].</text>
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                <text>Identified in De Ricci as Horae, Roman use, written in France.</text>
              </elementText>
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                <text>References: De Ricci. Census, p. [1210]</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Gluck, James Fraser, 1852-1897</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>[15th century]</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2024-03-11</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="194724">
                <text>Manuscripts, Latin--15th century</text>
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                <text>Liturgy and rituals</text>
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                <text>Hours</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Buffalo and Erie County Public Library (publisher of digital)</text>
              </elementText>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194729">
                <text>Digital image copyright 2024 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="194732">
                <text>2 volumes ; 17 cm</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
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                <text>Parchment</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Latin</text>
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            </elementTextContainer>
          </element>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>RBR MSS. C33M55 1400z</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="194736">
                <text>[France]</text>
              </elementText>
            </elementTextContainer>
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        <name>Rare Books</name>
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                  <text>Medieval and Renaissance Manuscripts</text>
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              <description>An account of the resource</description>
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                  <text>Manuscripts from the early medieval period to the beginning of the Renaissance. </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>RBR Mss. C33</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Manuscript on vellum, written in Italy, in the Dominican use, containing musical notation.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Catholic Church</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Title and date from De Ricci.</text>
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                <text>Selected pages digitized due to condition of item.</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="195017">
                <text>Rare Book Room of B&amp;ECPL (repository)</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="195018">
                <text>15th century</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2024-06-20</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Liturgy and ritual</text>
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                <text>Psalter</text>
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                <text>Louis C. Elson Collection. no. 22.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="195023">
                <text>Digital image copyright 2024 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>146 l. ; 32 x 22 cm</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Maps and Atlases</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="193846">
                  <text>Maps, atlases, and more from the Grosvenor Room and Rare Book Room.</text>
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                <text>Map of the villages of Bellevue, Niagara Falls and Elgin</text>
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                <text>39M-33</text>
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                <text>Judah, Theodore D. (Theodore Dehone), 1826-1863</text>
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                <text>Cadastral map showing lot lines and selected landowners' names. Insets show cross sections of strata along Niagara River from L. Ontario to L. Erie and of the Falls abreast; also 2 views from Vista cottage, Bellevue, the property of T. D. Judah. Entered according to act of Congress, 1854, by Theodore D. Judah in the clerk's office of the District court of the northern district of New York. Depths shown by contours. Mounted on cloth.</text>
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                <text>Rare Book Room of B&amp;ECPL (repository)</text>
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                <text>Niagara Falls (N.Y. and Ont.)--Maps.</text>
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                <text>Compton &amp; Gibson (publisher of original)</text>
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                <text>Buffalo &amp; Erie County Public Library (publisher of digital)</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The size or duration of the resource.</description>
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                <text>71 x 117 cm, folded to 25 x 16 cm</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>cartographic image</text>
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                  <text>Maps and Atlases</text>
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                  <text>Maps, atlases, and more from the Grosvenor Room and Rare Book Room.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Maps of the Holland Co's lands in the late town of Black Rock </text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Maps of the Holland Co's lands in the late town of Black Rock : shewing the names of the original grantees and date of conveyance ; also the north &amp; south villages of Black Rock, and the Parish and Jones tracts, New York State Reservation, all now in the city of Buffalo </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Emslie, Peter</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rare Book Room of B&amp;ECPL (repository)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1864</text>
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            <description>Date of creation of the resource.</description>
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                <text>2024-07-31</text>
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            <description>The topic of the resource</description>
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                <text>Holland Land Company</text>
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                <text>Maps</text>
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                <text>Real Property</text>
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                <text>New York (State)</text>
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                <text>Buffalo (N.Y.)</text>
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                <text>Erie County (N.Y.)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>P. Emslie</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="195041">
                <text>Digital image copyright 2024 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The size or duration of the resource.</description>
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                <text>8 maps ; 50 x 48 cm</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>RBR WNYO 1864.E47</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Buffalo</text>
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        <name>Local History</name>
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        <name>Maps</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Historic Buffalo Theater and Music Programs</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</text>
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                  <text>Theater programs -- New York (State) -- Buffalo.</text>
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                  <text>Concert programs -- New York (State) -- Buffalo.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Grosvenor Room of the B&amp;ECPL</text>
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    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Marian Anderson</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="29744">
                <text>Consistory Auditorium (Buffalo, N.Y.)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Marian Anderson was an African-American contralto known for her rich and vibrant voice. Although she was banned from some stages due to racial discrimination, she performed in Buffalo several times in concerts presented by Zorah Berry. &lt;br /&gt;&lt;br /&gt;Berry was a successful impresario who brought renowned musicians and singers to Buffalo.</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="29746">
                <text>Anderson, Marian, 1897-1993</text>
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                <text>Berry, Zorah, 1889-1969</text>
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                <text>Vehanen, Kosti, 1887-1957</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1938-11-29</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="30563">
                <text>Buffalo &amp; Erie County Public Library (Publisher of digital)</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30613">
                <text>Digital image copyright 2019 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>A related resource</description>
            <elementTextContainer>
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                <text>Digital Collections of the B&amp;ECPL</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Buffalo Theater and Music Program Collection</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Concert programs -- New York (State) -- Buffalo.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Mid-Twentieth Century (1925-1975)</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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