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                  <text>Buffalo &amp; Erie County Public Library Archives</text>
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                  <text>The Buffalo &amp; Erie County Public Library Archives comprises records from several different organizations: the Young Men's Association and later Buffalo Public Library, the Grosvenor Library, and the Erie County Public Library. Stretching back to 1831, the Library Archives encapsulates the history of libraries in the Buffalo &amp; Erie County area. </text>
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                <text>Two hundred books appropriate for Christmas gifts</text>
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            <description>An account of the resource</description>
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                <text>Pamphlet containing books recommended for Christmas gifts, published by the Buffalo Public Library.</text>
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                <text>1899-11-28</text>
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                <text>Libraries--New York (State)--Buffalo</text>
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                <text>Library Archives</text>
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                <text>Buffalo Public Library (Publisher of physical)</text>
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                <text>Buffalo &amp; Erie County Public Library (Publisher of Digital)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>The nature or genre of the resource</description>
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                <text>application/pdf</text>
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                <text>16 pages</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Identifier</name>
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                <text>BPL247-002</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rare Book Room of B&amp;ECPL (repository)</text>
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                  <text>Historic Buffalo Theater and Music Programs</text>
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                  <text>&lt;p&gt;Fifty selected programs from the Grosvenor Room’s performing arts collections, featuring theatre, music, and dance productions. These programs are a representative sample of the entertainment available to Buffalo audiences from 1816 to 1951, and include local talent as well as internationally renowned performers. The featured items are from the following two collections:&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Theater Programs, 1816 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists from theatrical venues in Buffalo, NY and vicinity. The bulk of the collection is from 1890 to 1950 and includes drama, comedy, vaudeville, minstrel, and musical theater productions held at more than 70 theaters. Traveling productions featured famous performers of every era, such as Edwin Booth, Maude Adams, John Barrymore, Rosalind Russell, Orson Welles, and Katharine Hepburn. Local ensembles and theater companies also document a vibrant entertainment community in Buffalo, including homegrown talent Katharine Cornell, dubbed "The First Lady of the Theatre” during her illustrious career.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;Music &amp;amp; Dance Programs, 1847 - current&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Programs, playbills, and cast lists of music and dance performances in Buffalo, NY and vicinity. The bulk of the collection is from 1860 to 1930 and includes performances of dance, opera, musical comedy, orchestras, chamber music, choirs, and instrumental ensembles. The majority of the programs are from music performances, and many venues hosted famous musicians and composers including Ignacy Jan Paderewski, Jenny Lind, Geraldine Farrar, Maurice Ravel, Walter Damrosch, Gustave Mahler, Lily Pons, and Serge Rachmaninoff. Buffalo also hosted opera companies, orchestras, and symphonies from New York City, Boston, Chicago, and Pittsburgh. Early Buffalo orchestras and singing societies, including the Buffalo Orpheus and Chromatic Club, are documented in this collection, as are the music halls, theatres, social clubs, museums, and other venues that hosted national and international performers.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</text>
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                  <text>Theater programs -- New York (State) -- Buffalo.</text>
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                  <text>Concert programs -- New York (State) -- Buffalo.</text>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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            <description>A name given to the resource</description>
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                <text>Two Piano Recital</text>
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                <text>Elmwood Music Hall (Buffalo, N.Y.)</text>
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            <description>An account of the resource</description>
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                <text>Harold Bauer and Ossip Gabrilowitsch were famous pianists who played solo in Buffalo several times.  Gabrilowitsch has another Buffalo connection--he married Mark Twain's daughter Clara Clemens, a singer.  He also became good friends with Mai Davis Smith, the first professional impresario in Buffalo.</text>
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                <text>Bauer, Harold, 1873-1951</text>
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                <text>Gabrilowitsch, Ossip, 1878-1936</text>
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                <text>Smith, Mai Davis</text>
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                <text>1916-02-22</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Buffalo &amp; Erie County Public Library (Publisher of digital)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="30605">
                <text>Digital image copyright 2019 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>A related resource</description>
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                <text>Digital Collections of the B&amp;ECPL</text>
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                <text>Buffalo Theater and Music Program Collection</text>
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                <text>Concert programs -- New York (State) -- Buffalo.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Early Twentieth Century (1900-1925)</text>
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                  <text>World War I Posters Collection</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <description>The actual physical size of the original image</description>
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              <text>41.5 x 27.5 in.</text>
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                <text>Poster Number: 373</text>
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                <text>Riesenberg, Sidney H.</text>
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                <text>[1917-1918]</text>
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                <text>World War I Posters Collection</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17803">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>A name given to the resource</description>
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                <text>U.S. Marines</text>
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                <text>eng</text>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                <text>Poster Number: 376</text>
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                <text>Latham Litho &amp; Ptg. Co. : Brooklyn (Printer)</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                <text>Poster Number: 1488</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="25033">
                <text>U.S.A. Bonds. Third Liberty Loan Campaign. Boy Scouts of America. Weapons for Liberty.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="25034">
                <text>Leyendecker, Joseph Christian</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Boy Scouts of America</text>
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                <text>American Lithograph Co. : New York (Printer)</text>
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            <name>Date</name>
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            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="25041">
                <text>image/jpeg</text>
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            <name>Coverage</name>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25046">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <name>Contributor</name>
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              <elementText elementTextId="37548">
                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>World War I Posters Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="962">
                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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      </elementSetContainer>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>47.5 x 33 in.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Poster Number: 1015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Une Semaine. D'economies. Du 14 au 21 Janvier 1918 au profit des prisonniers de guerre de la seine-inférieure organisée par la Fédération des Oeuvres de secours aux prisonniers de guerre du département sous le haut patronage de M. Morain, préfet de la</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1918</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
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            <name>Relation</name>
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                <text>Digital Collections of the B&amp;ECPL</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Early Twentieth Century (1900-1925)</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24647">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Ann Montgomery's Little Harlem</text>
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              <name>Description</name>
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                  <text>The Little Harlem Club/Hotel on Michigan Avenue in Buffalo was owned and operated by Ann Montgomery from the 1930s through early 1960s, during which time Count Basie, Louis Armstrong, Billie Holiday and others performed. While this club coexisted with the Colored Musicians Club and other clubs like it in its time period, Ann Montgomery was the distinguishing factor. Montgomery’s style and business sense and the fact that she was an African-American businesswoman were the rare combination then that made her and the Little Harlem unique.</text>
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            <description>A name given to the resource</description>
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                <text>Unidentified female dancer </text>
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                <text>J.N. Erhart (Photographer)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Women dancers</text>
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                <text>African American dancers</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Unlabeled professional shot of female dancer. Taken by J. N. Erhart. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="149">
                <text>Buffalo &amp; Erie County Public Library (Publisher of digital)</text>
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                <text>image/jpeg</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Ann Montgomery's Little Harlem</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="925">
                <text>Digital collection copyright 2016 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Mid-Twentieth Century (1925-1975)</text>
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                <text>Digital collection copyright 2016 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Union Amicale D'Alsace Lorraine. Femmes Françaises! Hâtez-vous pour que lánnée 1918 apporte aux fillettes pauvres une poupée Alsacienne ou Lorraine, un souvenir de nos chéres provinces oú les fillettes sont plus malheureuses encore et tendent leurs bras vers la France!</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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            <description>A name given to the resource</description>
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                <text>V. The Victory Liberty Loan</text>
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                <text>Grinnell Lithograph Co. : New York (Printer)</text>
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                <text>World War I Posters Collection</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="19174">
                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Rare Book Room of the B&amp;ECPL  (repository)</text>
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                <name>Title</name>
                <description>A name given to the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Say Their Names: Honor Their Legacies</text>
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                  <text>This photographic and oral history project by the Uncrowned Queens Institute is a response to the urgency of preserving the first-person narratives of local history-makers, who represent a group whose experiences and insights are in danger of being lost.   Over two years (2023-2024), oral histories were recorded with 24 significant history-makers in our community.  The resulting exhibit Say Their Names, in collaboration with photographer Yves-Richard Blanc, has been displayed at the Buffalo History Museum and Buffalo &amp; Erie County Public Library.  The Buffalo Public School District has also developed social studies curricula using the participants' oral history videos and biographies. www.uncrownedcommunitybuilders.com</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Velma Mcgriff Ferguson</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Uncrowned Queens Institute for Research &amp; Education on Women, Inc.</text>
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            <name>Date</name>
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                <text>Buffalo &amp; Erie County Public Library (publisher of digital)</text>
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                <text>Say Their Names: Honor Their Legacies</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>©2024 Uncrowned Queens Institute</text>
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                <text>Uncrowned Community Builders</text>
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                <text>Velma was born in Buffalo, New York on October 6, 1933. She is the eighth child of eleven children born to Ernest and Isabell McGriff. She attended public school 12 and graduated from Hutchinson Central High School. at the age of 18 years old, she married James (Dave) Ferguson on November 25th, 1950. She is the mother of three children, six grandchildren eight great-grandchildren, and one great-great-grandchild.&#13;
&#13;
Velma was employed from 1953 to 1996 at Buffalo General Hospital, as a Supervisor in Cardiac Angiology, Department of Medicine. She retired in 1996. While working at Buffalo General, she attended Bryant &amp; Stratton College and the University at Buffalo. After retiring from Buffalo General, Velma worked another decade as a bus aide supervisor beginning in 1996. She was a supervisor of bus aides. She often personally worked on the routes that had students, who were considered the most disruptive. She developed special relationships with those students and modeled behavior management for the other bus aides. She was the supervisor of bus aides.&#13;
&#13;
Velma became a member of The Harriet Tubman 300's Inc. in 1976. The organization was formed in 1975 to preserve the legacy of its namesake, Velma has held a 51-year tenure as the longest-tenured member as well as the oldest member of the organization. She is still an active member serving as President. In 1996, the Harriet Tubman 300's co-sponsored a historical marker at Freedom Park (formerly known as Broderick Park) in Buffalo's Black Rock district. The marker denotes the site as a former "Underground Railroad River Crossing" into Canada.&#13;
&#13;
In 1979, Velma co-founded the Buffalo Chapter of the Cousins, an affiliate of the largest Black Family Ancestral Groups in America. It boasts over 3500 cousins. Velma was awarded the Black Achiever Award in 1995. She is a lifetime member of St. Luke/Durham Memorial AME Zion Church, 17 E. Eagle Street in Buffalo. She is grateful to be a two-time cancer survivor and enjoying life.</text>
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                <text>African Americans--New York (State)--Buffalo</text>
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                <text>Great Migration, ca. 1914-ca. 1970</text>
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                  <text>The Little Harlem Club/Hotel on Michigan Avenue in Buffalo was owned and operated by Ann Montgomery from the 1930s through early 1960s, during which time Count Basie, Louis Armstrong, Billie Holiday and others performed. While this club coexisted with the Colored Musicians Club and other clubs like it in its time period, Ann Montgomery was the distinguishing factor. Montgomery’s style and business sense and the fact that she was an African-American businesswoman were the rare combination then that made her and the Little Harlem unique.</text>
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                <text>Group picture at bar. Barmaid, five women, ten men. </text>
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                <text>1930-1939</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Digital collection copyright 2016 by the Buffalo &amp; Erie County Public Library. This collection or portions thereof are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Vente De Charité organisée au profit de l’hopital Bénévole N°. 26bis a Saint-Ay (Loiret)</text>
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                <text>Verdun. Road to Y.M.C.A. canteen</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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