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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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                <text>Verdun. Road to Y.M.C.A. canteen</text>
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                <text>A. K. S.</text>
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                <text>World War I Posters Collection</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>This collection of long-form reports by retired WIVB-TV Senior Correspondent Rich Newberg covers a wide range of social issues, Buffalo history and the arts. Mr. Newberg retired from the Buffalo CBS network affiliate at the end of 2015, after serving the station for thirty-seven years in various roles including main anchor, reporter and documentarian. &lt;br /&gt;&lt;br /&gt;His New York Emmy Award winning pieces explore the abortion debate, care of the mentally ill, the African American struggle for civil rights, and the lessons of the Holocaust, among many topics. His video memoir, “One Reporter’s Journey, “ reflects on his forty-six year career, beginning as an advocate for those without a voice. &lt;br /&gt;&lt;br /&gt;"My hope," says Newberg, “is that this collection will provide a lasting chronicle of life and issues in Buffalo during the latter part of the 20th century and into the new millennium."</text>
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                <text>Victims of Addiction</text>
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                <text>&lt;p&gt;&lt;span&gt;In an effort to better understand the nature of addiction, WIVB-TV reporter Rich Newberg presents a series of reports featuring addicts speaking intimately about their drug habits and how their lives are controlled by substance abuse. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="text-decoration:underline;"&gt;Out of Control&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;em&gt;(:00 - 8:38) Air Date: June 29, 1989&lt;/em&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;These reports by Rich Newberg and Mike Mombrea, Jr. are unique in that some addicts allow themselves to be recorded as the illicit drugs enter their bloodstreams and take effect. The viewer learns first hand why it is so difficult for these individuals to straighten out their lives. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Delving even further into the dark side of drug abuse, Newberg and Mombrea record addicts Julie and Randy as they suffer through the pain of withdrawal. They are documented desperately seek help at the county hospital only to be told they must come back in two days because there are no beds available.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;During their two day ordeal, Julie and Randy turn to alcohol in an attempt to steady their nerves. They also take part in a group therapy session, candidly sharing the feelings they are  experiencing. They long for “a nice, healthy, normal life.” Two weeks after detoxification, the couple appears to be energized and eager to continue on the road to recovery. They are determined to beat the odds, which are generally against addicts leaving detox centers. &lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="text-decoration:underline;"&gt;Living on Drug Row&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;(8:45 - 19:09)  Air Dates: May 9, 10, 11, 1989&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Reporter Rich Newberg and photographer Scott Alexander explore the ease in which heroin and cocaine are obtainable within Buffalo’s inner city. Citizens bemoan the fact that when a low level dealer is arrested, another fills his place almost immediately.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Drug abuse is so prevalent in the city’s housing projects, that children are exposed to hypodermic needles where they play.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;We meet two five year old girls whose mothers are deeply concerned that their daughters might suffer long term effects due to their contact with discarded needles. One child drank the contents of a syringe. The other girl pricked her finger on a needle. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;A cocaine dealer speaking candidly says five thousand dollars a day can be made on the streets. He adds that “young kids” &lt;/span&gt;&lt;span&gt;are recruited to sell because there is less risk to the dealer. He claims it is easy for those arrested to “beat” the family court system. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="text-decoration:underline;"&gt;Saving the Kids&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;(19:15 - 23:08) November 15, 1989&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;A shortage of long-term drug treatment centers and clinics in Western New York requires families of means to send their addicted children out of the region for help. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Rich Newberg presents the case of Matthew, outwardly the “All American Boy” from suburban Amherst, New York, who hid his drug problems from his loved ones until he became alienated from his family. Matthew attended one of the area’s most highly rated high schools, but disclosed that drug abuse “before, during, and after school” was a hidden but festering problem. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Matthew’s father was in denial until his son completely cut himself off from the family. Matthew, along with about a dozen other Amherst children who were abusing drugs, became enrolled in the Straight Program in Plymouth, Michigan. The success rate is seventy-five percent and relies on a combination of rigid exercise and an open sharing of feelings to wean teenagers off of drugs. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Matthew’s program lasted twenty-two months and cost $12,000 dollars. Most of the drug treatment programs in the Buffalo area at the time lasted twenty-eight days. While programs like the one in Plymouth offered hope to upscale families who could afford the tuition, there appeared to be a sense of hopelessness in the inner city, where drug dealers ruled the streets and controlled the lives of those who became dependent on them to feed their addictions.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Murphy, Kurt (Graphic Arts Director)</text>
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                <text>1989-06-29</text>
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                <text>Drug addiction--Rehabilitation</text>
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                <text>Rich Newberg Reports Collection</text>
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                <text>WIVB (Television Station : Buffalo, N.Y.)</text>
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                <text>Buffalo &amp; Erie County Public Library (publisher of digital)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright held by WIVB-TV. Access to this digital version provided by the Buffalo &amp; Erie County Public Library. Videos or images in this collection are not to be used for any commercial purposes without the expressed written permission of WIVB-TV and the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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                <text>Victory Bonds will help stop 'this-. Kultur vs. Humanity.</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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                <text>Poster Number: 242</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Victory. Put your back into it and help to give the final push</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>James Walker Ltd. : Dublin (Printer)</text>
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                <text>Digital Collections of the B&amp;ECPL</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Digital image copyright 2017 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <description>A name given to the resource</description>
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                <text>View from Casino, Buffalo, N.Y.</text>
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                <text>Illustrated Post Card Co. NewYork- Leipzig.</text>
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                <text>Picture postcard of the view of the AKG Art Museum from the perspective of the Delaware Park Casino.</text>
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                <text>Delaware Park (Buffalo, N.Y.)-- History-- 19th Century</text>
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                <text>Parks--New York (State)--Buffalo.</text>
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            <description>A language of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="202525">
                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The topic of the resource</description>
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                <text>Photographic postcards.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="202634">
                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Postcards from the Rare Book Room's collection. Primarily picture and photographic postcards of Buffalo &amp; Erie County locations, with a variety of publishers and production methods. </text>
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                <text>Photographic postcard with a series of 4 framed images of the Main Entrance, Section Two, Lake, and Knights of Saint John Monument in the German and French Roman Catholic Cemetery.</text>
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                <text>Buffalo and &amp; Erie County Public Library (Publisher of Digital)</text>
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                <text>photographic postcards</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="202627">
                <text>Digital image copyright 2025 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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              <description>A name given to the resource</description>
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                  <text>We the People: Commemorating 250 Years of the Declaration of Independence</text>
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                  <text>Semicenquintennial exhibit</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;As we mark 250 years since the signing of the &lt;em&gt;Declaration of Independence&lt;/em&gt;, this exhibit considers our region and our nation as a &lt;em&gt;quilt of democracy &lt;/em&gt;— consisting of many communities, histories, and identities joined and shaped by many hands.&lt;/p&gt;</text>
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                  <text>Grosvenor Room of B&amp;amp;ECPL (repository)/Rare Book Room of B&amp;amp;ECPL (repository)</text>
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              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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                  <text>2026</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="203788">
                  <text>Digital image copyright 2026 by the Buffalo &amp; Erie County Public Library. Images in this collection are not to be used for any commercial purposes without the expressed written permission of the Buffalo &amp; Erie County Public Library. Users of this website are free to utilize material from this collection for non-commercial and educational purposes.</text>
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                  <text>Collection, Dataset, Event, Image, Interactive Resource, Moving Image, Physica l Object, Service, Software, Sound, Still Image, Text&#13;
&#13;
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              <description>A language of the resource</description>
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                  <text>eng</text>
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              <name>Coverage</name>
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                  <text>1757-2026</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Grosvenor Room Collections</text>
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            <name>Identifier</name>
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                <text>RBR U.S. 1917.N6</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Votes for women a success : North America proves it</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="203980">
                <text>New York State Woman Suffrage Party</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="203981">
                <text>Votes for Women a Success: North America Proves It refers to a famous 1917 political flier and map created by the New York State Woman Suffrage Party. It was used to advocate for universal enfranchisement by demonstrating that women's voting was already working in neighboring countries and western states.</text>
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            <name>Date</name>
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                <text>1917</text>
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                <text>Womens--Suffrage--United States</text>
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                <text>New York State Woman Suffrage Party</text>
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            <name>Type</name>
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                <text>Text</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Contributor</name>
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              <elementText elementTextId="204086">
                <text>	Grosvenor Room of B&amp;ECPL (repository)/Rare Book Room of B&amp;ECPL (repository)</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="202771">
                  <text>AP Gorny: Different Than The Rest</text>
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            </element>
          </elementContainer>
        </elementSet>
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    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="203294">
                <text>Gorny-0046</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="203296">
                <text>SUNY Buffalo State University</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="203297">
                <text>1971</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="203298">
                <text>List of names of voting members of Casting Hall in 1970-1971.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="203299">
                <text>application/pdf</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="203300">
                <text>eng</text>
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            <name>Is Part Of</name>
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                <text>AP Gorny: Different Than The Rest</text>
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              <elementText elementTextId="203302">
                <text>Buffalo &amp; Erie County Public Library (publisher of digital)</text>
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            <description>A name given to the resource</description>
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                <text>Voting members of Casting Hall 1970-1</text>
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            <name>Creator</name>
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                <text>Gorny, Anthony-Peter</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>World War I Posters Collection</text>
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              <description>An account of the resource</description>
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                  <text>Posters were a very effective means of messaging throughout World War I.  They were pasted onto walls and billboards everywhere to reach the widest possible audience.  This form of propaganda, or “selling the war,” was used by both the Allies and the Central Powers to spark patriotism, raise funds and resources and foster hatred of the enemy.  The posters were the work of the illustrators of the day – styles and techniques are as diverse as the artists and their countries.  Although the United States came late to the war, it produced more WWI propaganda posters than any other country. </text>
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                  <text>&lt;em&gt;Original poster collection donated to the Grosvenor Library by Edward Michael.&lt;/em&gt;</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
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              <text>30 x 20 in.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Poster Number: 274</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="16728">
                <text>W.A.A.C. Every fit woman can release a fit man</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="16729">
                <text>The Dangerfield Printing Co. Ltd. : London (Printer)</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>[1914-1918]</text>
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            <name>Type</name>
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                <text>Still image</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>World War I Posters Collection</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Digital Collections of the B&amp;ECPL</text>
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                <text>Early Twentieth Century (1900-1925)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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Edward F. Ellis worked at the Buffalo Public Library at one time and, as collector, he amassed a vast collection of ABC books over the years. When he died in 1983, approximately 434 ABC books were books donated to the public library. Since 1984, the Ellis ABC Collection has grown to more than 700 American and International books from 1793 to the present.&#13;
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